Category: Features

America, What Have You Done?

A photographic journey into America's lost innocence...

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America, Why Did You Stop Dreaming?

Chasing the ghosts of an American Dream...

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Bloomberg New Contemporaries

When the idea is to introduce new voices in contemporary art, it helps not to have the judging panel overshadow the artists...

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Eyes on the Prize for Bloomberg New Contemporaries

Student artists chase the Bloomberg prize at the Baltic...

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Artistry in Assembly: Lillianna Pereira

Human experience (including the artist's) is not necessarily unique...

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The Feathers and the Fury: Ry Bird [Interview]

Graphic artist Ry Bird talks art, music and fighting cats...

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Frieze London International Art Fair 2017

Subverting, and sometimes satisfying expectations, Frieze returns to London...

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And Phil Keeps on Falling: Blade Runner 2049

Very yellow and not very mellow. Is Blade Runner really due a reboot?...

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‘If I was on a desert island I woudn’t make art’: Gavin Turk [Interview]

Narcissicism or Self-Portraiture: A Problem Solved?...

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“I want to show greatness, fragility, softness and power.”: Alexis Peskine

Peskine's nail sculptures transform anger into hope and pride...

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Contra-Internet: Zach Blas at Gasworks

Gasworks presents Contra-Internet, a major new commission by London-based artist Zach Blas...

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Monira Al Qadiri: The Craft

Kuwaiti-cana? Exploring gender, politics and petro-cultures at Gasworks...

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Franciska Themerson: Designing the Avant Garde

Whimsical worlds: Revisiting the Avant-Garde...

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Pensive Moods, Poignant Scenes: Shannon Te Ao

Disparate narratives for emotive contemplation at this year’s Edinburgh Art Festival...

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A dynasty of design: SHH Architects

Generations of architectural elegance applied globally...

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The Manicured Wild (Kristin Hjellegjerde Gallery)

Johnny Briggs and Evy Jokhova explore the gap where man and nature meet at Kristin Hjellegjerde Gallery...

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Treasures From the Wreck of the Unbelievable (Damien Hirst)

Part fantasy, part Hollywood, all Hirst. The master of spectacles hits Venice...

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Woman of Substances (Jenny Valentish)

Addiction isn’t gender neutral, and neither is mental health....

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Genres: We’re Going to Need a Bigger Box

Searching for antidotes to the Genre-Box-Pox...

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A Gravitas of Culture: Joseph Chidlaw (Interview)

A new and vibrant voice in contemporary painting, Joseph Chidlaw talks to Trebuchet about his art and influences...

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Art in Adversity: Magdalena Abakanowicz Remembered

Looking back on the life and career of Polish sculptor Magdalena Abakanowicz...

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Trebuchet Issue 1 Launch

Whisky, discussion and high spirits mark the launch of Trebuchet magazine's issue on art curation. ...

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Viewing the Inner Billygoat: Self-Portraiture at Whitechapel Gallery

Portraiture becomes an extension of the artist in search of deeper answers, at Whitechapel Gallery...

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Joy and Division: Peter Hook (Interview)

Peter Hook talks New Order, Joy Division and women in yoghurt....

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Illusions of Weightlessness: The Dream Engine (Interview)

Evoking tears of joy is a delicate art - The Dream Engine have it in hand...

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Documents of the Disturbed. Alva Bernadine, New Photography

A very suburban sort of smut permeates Bernadine's latest series ...

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Seasonal Songwriting: I Am Snow (Heather Findlay Band)

Folky reworks from the Heather Findlay band, and a brace of new songs to add a flourish...

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The Beauty of the In-Between: String of Subsequence

Discovering the intricate beauty of the in-between...

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Loitered Lens: Kid Congo Powers and the Pink Monkey Birds (Nambucca)

A look back at Kid Congo Powers and the Pink Monkey Birds charming the devoted at London's Nambucca...

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Wyndham Lewis, Grayson Perry, David Baddiel and Masculinity

With power comes reponsibility, as Wyndham Lewis (and Spiderman) knew well. Art is power, not voyeurism....

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