Increasing the range of art
Alienated Ambiguity
Hedley Roberts: Unknown faces, arch pleasures. An interview on the harsh light of creative vision (read more)
Hedley Roberts: Unknown faces, arch pleasures. An interview on the harsh light of creative vision (read more)
A Nancy Fouts retrospective will feature work spanning several decades, including some of her best loved sculptures and framed works alongside some unseen pieces. (read more)
Reflective of Picasso’s unmistakable style, the ceramics provide a unique key into one of the twentieth century’s most influential artists. (read more)
The Bushfire Relief Auction in Melbourne has been organised by collectors Sandra Powell and Andrew King and prices start at £200. (read more)
Hedley Roberts: Unknown faces, arch pleasures. An interview on the harsh light of creative vision (read more)
Nieto: Linguistic chaos. An interview the most perverse artist in history, maybe. (read more)
Nigel Grimmer: this is not what you’re looking for. An interview with the mercurial. (read more)
Past highlights include selected works from the infamous Sensation exhibition that launched the careers of Damien Hirst and Tracey Emin, and paintings by Turner prizewinner Chris Ofili. (read more)
Strident Sitters: Portraits in the Marketplace. Who’s buying (read more)
This meticulous first monograph on Adrián Villar Rojas notes an artist who has created some of the most memorable, unusual pieces in the past two decades. (read more)
The smash hit Love Someone got everyone in the crowd belting it out together, while Queen cover Crazy Little Thing Called Love led to a total explosion of the senses. (read more)
Novatines bring us the fear, a timely reminder of current politics, or a just a rocking single with a swinging beat. Video Exclusive (read more)
Jack Daniels Showed Up followed, proving to be another instant crowd pleaser and was set to meet Jesus further down the set (read more)
A film for a specific taste is Phillip Humm’s The Last Faust really that indigestible? A review and an entreaty for more divisive filmmaking (read more)
Every generation has to find its own way to deal with the problems it faces. Red Wedge was our generation and it came out of a specific set of circumstances. Other generations will find other ways. (read more)
This meticulously researched book from Reel Art Press is an extensive collection of French New Wave posters, which were equally as innovative as the films themselves. (read more)
Artist Krent Able is a man capable of creating stories and worlds which are truly surreal and macabre, yet remain oddly joyful. (read more)
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