Exhibition On Screen returns with Young Picasso, an extraordinary detective story that looks in detail at the elements that drove one small boy from southern Spain to such heights. (read more)
Kerouac Beat Painting brings us closer to the Beat legend, showing us the gifted amateur, unscripted and untutored in his search, striving against himself to find authenticity. (read more)
Sarah Sze at Victoria Miro (read more)
Andrew Litten: timeless models of expression (read more)
The winner of the prestigious first prize in 2018 is Jacqui Hallum with her painting King and Queens of Wands. (read more)
Jo Volley’s ‘Research Art’ at Sassoon Gallery, Folkestone (read more)
Acoustic scientist sounds off about the location of cave paintings (read more)
Unearthing unspoken memories with visual prompts, Malka Nedivi charts a familiar Jewish story in her artworks (read more)
Scantily clad figures whose blank stares emit an aura of disillusionment. Louie Metz paints the seedy and the saddened. (read more)
Born to parents of Mexican and Japanese decent, Saldamando’s work embodies components that reflect her bi-racial heritage. (read more)
The drips that flow from Brown’s landscapes don’t just enhance the unceasing presence of movement that circulates through his work, but they exude a ghostly aura that brings to mind the passing of time (read more)
Whereas his previous work featured imagined interiors and locations acting as memorials to real people, here it is the narratives which are imagined (read more)
Tate Britain’s Late Turner keeps Turner on the stage rather than focusing on his exit. As co-curator Sam Smiles said, these are “paintings with subjects that have resonance”. (read more)
“The state of painting now” is a tired topic. The premise – that painting has lost its lure because of new media, which in their very newness enable their users to conquer new territory in the name of art – is a familiar concept in the art world. (read more)
They’re laughing. Are we? (read more)
Adam Bloom’s paintings of blood and bone are a strange attractor, holding the viewer quiet and nervous with their dreamlike and symbolic depictions of humanity. The imagery is at once horrific and yet pointed through (read more)
The International Art Market in June: Unearthing Unseen Art at London’s 20th Century Week and #MeToo Controversy at Art Basel (read more)
Andrew Edmunds deals in antique political prints. In this show at the Royal Academy, the works he shows stand up well to contemporary art and its political ambitions. (read more)
Two current exhibitions on opposite sides of the globe present work from two contemporary women artists; each, in her own way, a concrete artist. At RaumX, in north London, Katrina Blanin shows paintings and monoprints. (read more)
In her first UK solo show, the artist summons both religious martyrs and mythological hybrids to evoke the force of female transformation, which underlies all her work. (read more)
Dark Objects: Works 1977-2019 is comprised of 17 works and features three canvasses from the American figurative painter’s seminal Disaster Paintings series. (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
Composition, one of only three unique porcelain enamel works, was created to outfit the German photographer’s bedroom suite in his notorious pop art apartment. (read more)
[13.05.19] Cadogan Contemporary present Prächtig an exhibition of new works by the Austrian artist Josef Fischnaller. Fischnaller’s artfully constructed photographs are inspired by the compositional styles of Old Master and Renaissance painters; to these, he (read more)
[03.05.19] Carlito Dalceggio presents a month-long multimedia experience, Mythologia Libre. Taking place on Canal Street, New York, the public installation will introduce to Manhattan a portal leading to a realm free of contemporary reference — (read more)
A review of the international art industry in April 2019 (read more)
Tim Walker: Wonderful Things is the latest in the museum’s series of projects working in collaboration with contemporary practitioners. (read more)
[29.03.19] Daniel Benjamin Gallery presents The Light in the World is Without a Significant Plan, an exhibition with three artists working in the UK. As light and shadow in the world are randomly placed by (read more)
The world’s best athletes-turned-artists (read more)
Touring exhibition The Printed Line opens in April and will showcase work by artists including David Hockney, Bridget Riley, Patrick Caulfield and Frank Stella. (read more)
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