Exhibition On Screen returns with Young Picasso, an extraordinary detective story that looks in detail at the elements that drove one small boy from southern Spain to such heights. (read more)
Kerouac Beat Painting brings us closer to the Beat legend, showing us the gifted amateur, unscripted and untutored in his search, striving against himself to find authenticity. (read more)
Sarah Sze at Victoria Miro (read more)
Andrew Litten: timeless models of expression (read more)
The winner of the prestigious first prize in 2018 is Jacqui Hallum with her painting King and Queens of Wands. (read more)
Jo Volley’s ‘Research Art’ at Sassoon Gallery, Folkestone (read more)
Acoustic scientist sounds off about the location of cave paintings (read more)
Unearthing unspoken memories with visual prompts, Malka Nedivi charts a familiar Jewish story in her artworks (read more)
Scantily clad figures whose blank stares emit an aura of disillusionment. Louie Metz paints the seedy and the saddened. (read more)
Born to parents of Mexican and Japanese decent, Saldamando’s work embodies components that reflect her bi-racial heritage. (read more)
The drips that flow from Brown’s landscapes don’t just enhance the unceasing presence of movement that circulates through his work, but they exude a ghostly aura that brings to mind the passing of time (read more)
Whereas his previous work featured imagined interiors and locations acting as memorials to real people, here it is the narratives which are imagined (read more)
Tate Britain’s Late Turner keeps Turner on the stage rather than focusing on his exit. As co-curator Sam Smiles said, these are “paintings with subjects that have resonance”. (read more)
“The state of painting now” is a tired topic. The premise – that painting has lost its lure because of new media, which in their very newness enable their users to conquer new territory in the name of art – is a familiar concept in the art world. (read more)
They’re laughing. Are we? (read more)
Adam Bloom’s paintings of blood and bone are a strange attractor, holding the viewer quiet and nervous with their dreamlike and symbolic depictions of humanity. The imagery is at once horrific and yet pointed through (read more)
A review of the international art industry in April 2019 (read more)
Tim Walker: Wonderful Things is the latest in the museum’s series of projects working in collaboration with contemporary practitioners. (read more)
[29.03.19] Daniel Benjamin Gallery presents The Light in the World is Without a Significant Plan, an exhibition with three artists working in the UK. As light and shadow in the world are randomly placed by (read more)
The world’s best athletes-turned-artists (read more)
Touring exhibition The Printed Line opens in April and will showcase work by artists including David Hockney, Bridget Riley, Patrick Caulfield and Frank Stella. (read more)
[28.02.19] Sam Hodge is an artist who uses paint and print processes to investigate our shifting and tangled relationship with matter. Materials are constantly transforming; new forms emerge from simple physical processes such as erosion, (read more)
The UK will become the first country in the world to create a free-to-access online photographic showcase of its publicly owned sculptures. (read more)
SJ Fuerst’s works conjoin elements of contemporary culture with classical art forms, adding a playful twist to create a world where all is not as it seems. (read more)
[15.03.19] Saatchi Gallery presents Kaleidoscope, a new exhibition featuring the work of nine international contemporary artists working across a variety of mediums. The exhibition is a timely exploration of our relationship with our surroundings, asking viewers (read more)
Canadian figurative artist Trate’s Emotive Brutes chronicles the human condition through traceable brush strokes and reimagined facial traits layered over distinctive colour patterns. (read more)
Cagnara unveils the Italian-French duo’s latest work, characterised by their strict collaborative process where both artists simultaneously paint each canvas using their less dominant hand. (read more)
Hippolyte Hentgen at Semiose, Paris (read more)
This year’s London Art Fair focused on the various correspondences between the work of contemporary artists from Latin America and Europe. (read more)
Hayward Gallery Touring presents the first significant UK exhibition in almost 40 years of work by the group of artists who have become known as the Chicago Imagists. (read more)
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