These paintings show quasi-geometrical structure of colour space. Together with a sensitivity to surface texture the abstract nature serves to p[oint upa new kind of content – or one that is hidden behind the concept of representation. (read more)
Digital capabilities and analogue expression in the work of Alex May. (read more)
Influenced by cinema and a fascination with the gritty world of urban subculture, Kamp’s paintings delve beneath the surface of social class to capture a moment of high tension. (read more)
Exhibition On Screen returns with Young Picasso, an extraordinary detective story that looks in detail at the elements that drove one small boy from southern Spain to such heights. (read more)
Kerouac Beat Painting brings us closer to the Beat legend, showing us the gifted amateur, unscripted and untutored in his search, striving against himself to find authenticity. (read more)
Sarah Sze at Victoria Miro (read more)
Andrew Litten: timeless models of expression (read more)
The winner of the prestigious first prize in 2018 is Jacqui Hallum with her painting King and Queens of Wands. (read more)
Jo Volley’s ‘Research Art’ at Sassoon Gallery, Folkestone (read more)
Acoustic scientist sounds off about the location of cave paintings (read more)
Unearthing unspoken memories with visual prompts, Malka Nedivi charts a familiar Jewish story in her artworks (read more)
Scantily clad figures whose blank stares emit an aura of disillusionment. Louie Metz paints the seedy and the saddened. (read more)
Born to parents of Mexican and Japanese decent, Saldamando’s work embodies components that reflect her bi-racial heritage. (read more)
The drips that flow from Brown’s landscapes don’t just enhance the unceasing presence of movement that circulates through his work, but they exude a ghostly aura that brings to mind the passing of time (read more)
Whereas his previous work featured imagined interiors and locations acting as memorials to real people, here it is the narratives which are imagined (read more)
Tate Britain’s Late Turner keeps Turner on the stage rather than focusing on his exit. As co-curator Sam Smiles said, these are “paintings with subjects that have resonance”. (read more)
“The state of painting now” is a tired topic. The premise – that painting has lost its lure because of new media, which in their very newness enable their users to conquer new territory in the name of art – is a familiar concept in the art world. (read more)
They’re laughing. Are we? (read more)
Adam Bloom’s paintings of blood and bone are a strange attractor, holding the viewer quiet and nervous with their dreamlike and symbolic depictions of humanity. The imagery is at once horrific and yet pointed through (read more)
Personal Space focuses on the female figure in private and intimate spaces, expanding on themes Cooper has explored throughout her 40-year career. (read more)
The most affecting film of 2019 has created debate and controversy, Trebuchet takes a closer look examining these and the underlying message at its core. (read more)
Tolerance confronts negative cultural stereotypes and advocates for tolerance and respect in times of angst, division and separatism. (read more)
Amy Bessone imbues the campy and kitsch with a soft and enigmatic humanity bringing depth where there was none. (read more)
London’s longest running contemporary visual arts festival has attracted over 1 million visitors since its inception in 1998. (read more)
Inspired by Jungian philosophy, the multidisciplinary artist cultivates art driven from instinct, in a creative process that arises from emotions rather than an analytical approach. (read more)
The event, launching in September 2020, will use London as a vast canvas, painting a minimum of 20 new large-scale murals across the city. (read more)
Hyper real painting is given a contemporary African twist at The Brick Lane gallery with a show of work by Ken Nwadiogbu. (read more)
A clay pot excavated from the cesspit below Rembrandt van Rijn’s Amsterdam house has been declared as one of only two “true Rembrandt relics”. (read more)
This major free exhibition at the Science Museum examines the intertwined relationship between artists and scientists over the last 250 years.
In yes I Said Yes, the artist transforms scenes of violence against women in Old Master paintings into images of consensual pleasure. (read more)
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