Features Archives - Trebuchet

Letizia Battaglia, Arresto Bagarella, Palermo, 1980 © Letizia Battaglia

Palermo Mon Amour: Fondazione Merz

31/05/2023

A love letter to reality. Palermo at Fondazione Merz, Turin, Italy. ...

Trebuchet 13: Photography

22/05/2023

Trebuchet 13: Photography - may 2023 - Out Now! ...

Contemporary Issues in Art and Design

11/05/2023

Enchanting and Disenchanting, Art-Science-Religion: developing and realising works that blend religious and scientific methods....

Ruby Surveying His Studio (architecturaldigest.com, 2018)

Jetztzeit in the Context of The Studio

08/05/2023

Where is there agency in artistic practice?...

Peter Van Dyck, Winter Studio w/ Belmont Hills, 2018

Art Print: Peter Van Dyck

17/04/2023

Trebuchet offers an exclusive art print from perceptual painter Peter Van Dyck. ...

Amon Tobin, Hole in the Ground (Still), 2023

EXCLUSIVE: Amon Tobin Premieres New Video

06/02/2023

Exclusive video premiere by Amon Tobin...

Do We Need a New Definition of Violence? Brad Evans on Art and Technology

29/01/2023

An interview with Philosopher Brad Evans on violence, history and contemporary life. ...

Tai Shani. DCSemiramis 2019. Photo: Keith Hunter

Tai Shani on Power, Story and Reality

16/01/2023

Practice, story and reality; an in depth discussion with Turner Prize winning artist Tai Shani...

Joël Andrianomearisoa, Installation of OUR LAND JUST LIKE A DREAM, 2022

The Audience and the Work: Joël Andrianomearisoa

06/12/2022

An interview with Malagasy installation artist Joël Andrianomearisoa ...

Colonialism, Audience and Art’s Ability to Teach

30/11/2022

An interview with Larry Ossei-Mensah...

Gavin Turk’s Reimagining of Richter

22/11/2022

Painting the Glitch in the Matrix: Gavin Turk at Ben Brown Fine Arts. ...

Image Junkies

30/10/2022

Mia Fineman discusses The Folio Society’s new edition of ‘On Photography’...

Portrait of Her Majesty the Queen by Rob Munday and Chris Levine 2004

Majesty: A Tribute to the Queen

29/09/2022

A life refracted: New exhibition explores the work of three royal artists who have immortalised Her Majesty the Queen in their portraits. 28th September – 12th October, 2022...

Geometry, Dreams and Parables: Nazir Tanbouli

21/09/2022

A preview of Nazir Tanbouli's exhibition Tales from the Golden Forest at Kristin Hjellegjerde Gallery London...

The Discipline of Inspiration: An Interview with Samuel Andreyev

20/06/2022

An interview with composer and educator Samuel Andreyev....

Chris Levine, 528 Hz Love Frequency at Houghton Hall, Installation view, 2021, Courtesy the artist, Photo Michael Fung (7)

The Optics and Shine of Chris Levine

01/06/2022

An interview with famed photographer and light artist Chris Levine. ...

PAUL SIETSEMA Black Phone Painting, 2022

Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 1

03/05/2022

Labours of meaning, stances of distances - an interview with Paul Sietsema. Part One....

Hope and Myth in Mitch Griffiths’ Immortal

28/04/2022

A review of Mitch Griffiths IMMORTAL exhibition at Halcyon Gallery...

Ghost Like Traces: Between the Ephemeral & the Permanent

28/04/2022

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

The Being Beyond Feeling: Peter Van Dyck Pt 1

18/04/2022

An interview with perceptual painter Peter Van Dyck pt 1...

People, History, Paint: The Rise of Gisela McDaniel Pt 1

20/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 1...

The Crossroad Blues and High Vantages of Oli Kellett Pt 1

07/03/2022

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series. ...

NAIRY BAGHRAMIAN Jumbled Alphabet, 2021. Photo: Rebecca Fanuele

What is Sculpture? Nairy Baghramian

01/03/2022

Exclusive interview with 2022 Nasher Prize Laureate Berlin based sculptor Nairy Baghramian...

The Politics of Genre: Shahzia Sikander

25/01/2022

"Art history is deeply Eurocentric and tends to place art that doesn’t sit comfortably within its canon as the ‘other’ and never as ‘avant-garde’."...