Art Archives - Trebuchet

Beyond the Physical: Imogen Allen

17/10/2021

An interview with British artist Imogen Allen in the context of her debut solo exhibition...

Tate Britain Commission: Heather Phillipson: Rupture No. 1: Blowtorching the bitten peach Tate photo: Oliver Cowling

Blowtorching Peaches Creating Chaos: Heather Phillipson

15/10/2021

A review of Heather Phillipson’ ecologically themed installation at Tate Britain ...

Eat It Now: The New Immaterialism

13/10/2021

Art’s race with advertising, reduced to comparisons about slogan and the direct message, seems to be reaching its conclusion. ...

Brotherly Hate: The Dread Archetypes of Kane & Able

08/10/2021

Comics and graphic novels: Is anyone pushing the edge of sequential art? ...

Life is a Performance: Cassils

06/10/2021

Millie Walton speaks to visual artist Cassils about the body, mark-making and simulating acts of violence ...

Spray Paint with Sickboy

06/10/2021

Brand and street symbols in the work of Sickboy ...

Painterly Romance: Amy Beager

02/10/2021

An interview with British artist Amy Beager in the context of her solo exhibition at Wilder Gallery...

Value in Context: Art in the Public Realm

29/09/2021

Vestalia Chilton discusses the value and opportunities of public art. ...

Rewriting the Canon: Christiana Ine-Kimba Boyle

25/09/2021

An interview with Pace Gallery's newly appointed Online Sales Director Christiana Ine-Kimba Boyle ...

The Hopefulness of Colour: Annie Morris

23/09/2021

The London-based artist on grief, repetition and the solace of creativity...

The Shape, Sound and Feeling of Words: Ed Ruscha

22/09/2021

An analysis of fluid text in the work of artist Ed Ruscha...

A Bright Chapel: Mark Hinchliffe

15/09/2021

Interview with flamboyant art collector Mark Hinchliffe...

Taking the Exclusivity Out of Art: Thorp Stavri

10/09/2021

An interview with Eric Thorp and Nicholas Stavri, co-founders of the London-based curatorial platform Thorp Stavri...

Flash Nails and Glamour: SYRETT

08/09/2021

The challenge of SYRETT is that it feels punkish and out of step with what we’re used to seeing within contemporary art. Good....

Anais Comer ‘Over the gate we go’, 2021. Photo by Ewan Kerr

The Power of (In)visible Community

07/09/2021

The Power of (In)visible Community. A social art project in Somers Town, London 2021...

(Text)ural Works and Abstraction at Enter Art Fair

02/09/2021

Highlights from the 2021 edition of Scandinavia's largest international art fair...

The Suitability of Neon: Cerith Wyn Evans Interview

01/09/2021

Interview with the conceptual artist, Cerith Wyn Evans who embraces the use of neon as a medium of immanent exchange....

Abstract Beauty: Ellen Carey

27/08/2021

Lens-based artist Ellen Carey discusses her radical approach to image-making...

Courting the Forest of History

25/08/2021

Interview with mixed-media artist Gerald Chukwuma on Eve of his exhibition Eclipse of the Scrolls. ...

The Weight of Canon

18/08/2021

Canon, Fandom and Creative Paralysis. Much of the media we consume today, especially genre media, takes the form of such franchises. Art might be no different? ...

Ed Atkins: “A Weird Faking of Imminence”

17/08/2021

British artist Ed Atkins on turning a telephone conversation with his mum into a video artwork for the New Museum ...

Intimate, Wild, Raw: Karla Black at Fruitmarket Gallery

15/08/2021

A review of Scottish artist Karla Black's solo exhibition at the newly renovated Fruitmarket Gallery in Edinburgh...

Celebrity as Material

15/08/2021

Celebrity as Art Material: Once art ceases to be mimetic, portraiture as representation becomes destabilized, enabling it to investigate concepts such as celebrity as well as appearance. ...