The aim of art is to represent not the outward appearance of things, but their inward significance. – Aristotle
Looking at paintings requires an ability to place works in the historical context of the medium. Only then can we see the human significance of the work. It is no good looking inward to brain patterns. That is not where human significance is to be found.
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This year, the organisers undertook the unprecedented task of identifying, ranking, and inventorying their vast archives to turn them into a major retrospective exhibition. (read more)
Space, construction, dying technologies and the rich rituals at the end of all things – James Alec Hardy (read more)
Digital capabilities and analogue expression in the work of Alex May. (read more)
Photographic entropy in work of Fiona Crisp (read more)
The International Art Market in June: Unearthing Unseen Art at London’s 20th Century Week and #MeToo Controversy at Art Basel (read more)
The collages of Richard Hill (read more)
Rosetta Satirical Saturday Cartoon on Art by Alex Brenchley 2019 (read more)
Theatrical declarations and curated authenticity. Galerie Da-End: The mystery and the multidisciplinary (read more)
Andrew Edmunds deals in antique political prints. In this show at the Royal Academy, the works he shows stand up well to contemporary art and its political ambitions. (read more)
Two current exhibitions on opposite sides of the globe present work from two contemporary women artists; each, in her own way, a concrete artist. At RaumX, in north London, Katrina Blanin shows paintings and monoprints. (read more)
Occupying Space Across Time: Prof. Martin Lang investigates occupation from Les Enragés to Los Indignados (read more)
Now in its fifth edition, Photo London was founded in 2015 to give the city an international photography event befitting its status as a global cultural capital. (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
Time and space are perhaps only a perception and a semantic construct. Hatice Besun Photography (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
A review of the international art industry in April 2019 (read more)
Just a lonely plastic bottle… the self-mutilating symbol of our suicidal age. (read more)
Artist Website: Satirical Saturday Cartoon on Art by Alex Brenchley 2019 (read more)
If the art market represents the surface of the ocean that is contemporary capital, voices of resistance are light and shadow thrown down upon it, changing its complexion. (read more)
Exhibition On Screen returns with Young Picasso, an extraordinary detective story that looks in detail at the elements that drove one small boy from southern Spain to such heights. (read more)
The photo is presented upside down and the eyes and mouth are flipped vertically – Alva Bernadine (read more)
The line between artist and forger an interview with Shaun Greenhalgh (read more)
Hippolyte Hentgen at Semiose, Paris (read more)
Marking violence with disobedient acts of beauty. The Pansy Project. (read more)
This year’s London Art Fair focused on the various correspondences between the work of contemporary artists from Latin America and Europe. (read more)
The profile of the street artist has changed dramatically over the last 15 years (read more)
Piazza Rotunda at Dawn Making Art as Chronicle ona Grimes is a restless city artist. She makes pictures; and in making them she strives to manipulate her medium in new ways. Hence there is always (read more)
The art of stealing art Noah Charney (read more)
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