Without music, life would be a mistake. – Friedrich Nietzsche
Jesse Malin talks us through his UK exclusive ‘Shane’ inspired by and dedicated to the MacGowan in us all (and also the real deal) (read more)
Tony Iommi would never work again in a factory in Birmingham or anywhere else, instead devoting the rest of his life to spreading the word of the Devil. (read more)
A vision of and interview with Satanic doo-Wop duo Twin Temple. (read more)
Alexei Monroe speaks to the author of the latest book to explore the art of Kraftwerk and their legacy. (read more)
The smash hit Love Someone got everyone in the crowd belting it out together, while Queen cover Crazy Little Thing Called Love led to a total explosion of the senses. (read more)
Novatines bring us the fear, a timely reminder of current politics, or a just a rocking single with a swinging beat. Video Exclusive (read more)
Jack Daniels Showed Up followed, proving to be another instant crowd pleaser and was set to meet Jesus further down the set (read more)
Their mash-up of Rape Me and Love Me Tender was deliciously inappropriate but somehow worked incredibly well. (read more)
This sold-out show was a call to arms that there is another way, and that we can take a great leap forwards to a fairer, more equal society. (read more)
She’s a bobby socked stomping indie-slacker guitar thumper who’s going to grind and slide all over 2020 (read more)
Simon Heath’s Dark Ambient label Cryo Chamber continues it’s rising path of turbulent soundscapes and passionate drone. (read more)
Interview with Jaz Coleman – Magna Invocatio: A Gnostic Mass for Choir and Orchestra Inspired by the Sublime Music of Killing Joke (read more)
Entrancing track by Cabaret Voltaire’s Stephen Mallinder – Satellite [Video] (read more)
Intense and heavy Zonal release a industrial riff on the Smashing Pumpkins – ‘In a cage’ on Relapse [Video] (read more)
Gary Glitter’s chanting boomed around the auditorium, it really was like old times. (read more)
An unusual yet explosive mix of big band horns and Mongolian rock from a band with a subtle political subtext. Big Band Brass by Hanngai (read more)
Dallas Acid release another far-out electronic track of bliss-magic (read more)
Intense and electronic is this the new wave of brutal synth metal? Coming by Petbrick [Video] (read more)
Energetic No-wave punk revivalists Ceremony give us a highlight of 2019 – Turn Away The Bad Thing [Video] (read more)
Only from loneliness will you know what saudade is, and it’s for this reason fado is so important to the Portuguese far away from their beloved country. (read more)
Sunburst by Lisbon Kid, shining into winter. (read more)
Whatever Tony Iommi was thinking when he wrote the riff to “Black Sabbath”, he conjured something into being which made metal and the devil indivisible forever. (read more)
The sense of historical evolution removes from us a responsibility of safeguarding the hard-won victories of the last 100 years… interview with Hirsute folksinging historian Ben Caplan (read more)
Grooves so epic they’ll flap your flares for hours on end. Review of In the Silence Electric by Italian Psych veterans Julie’s Haircut. (read more)
Portico Quartet: capturing “the identity of the quartet, about the records we’ve made before, and the memory of them” – Video ‘Offset’ from Memory Stream (read more)
The captivating new single-shot video for ‘Chapter’ was filmed in New York on The Roosevelt Island Tramway at Queensboro Bridge. (read more)
Tool’s Fear Inoculum has some gorgeous moments, however, much of the album feels like promising intros which never quite get off the ground. (read more)
Understanding formal tendencies in Ambient Drone music through the work of France Jobin (Solitude) and Ager Sonus (Mithra) (read more)
“Lust can often be a greater, more damaging force than love” Scottish singer-songwriter Lauren Spiteri ‘Pretty’ [Video Exclusive] (read more)
There are certainly things to be avoided in Nashville as far as I’m concerned. But to me that’s a different business altogether and it’s a different thing, it’s really the entertainment business and not the music world to me. (read more)
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