Without music, life would be a mistake. – Friedrich Nietzsche
Simon Heath’s Dark Ambient label Cryo Chamber continues it’s rising path of turbulent soundscapes and passionate drone. (read more)
Interview with Jaz Coleman Magna Invocatio – A Gnostic Mass For Choir And Orchestra Inspired By The Sublime Music Of Killing Joke (read more)
Entrancing track by Cabaret Voltaire’s Stephen Mallinder – Satellite [Video] (read more)
Intense and heavy Zonal release a industrial riff on the Smashing Pumpkins – ‘In a cage’ on Relapse [Video] (read more)
Gary Glitter’s chanting boomed around the auditorium, it really was like old times. (read more)
An unusual yet explosive mix of big band horns and Mongolian rock from a band with a subtle political subtext. Big Band Brass by Hanngai (read more)
Dallas Acid release another far-out electronic track of bliss-magic (read more)
Intense and electronic is this the new wave of brutal synth metal? Coming by Petbrick [Video] (read more)
Energetic No-wave punk revivalists Ceremony give us a highlight of 2019 – Turn Away The Bad Thing [Video] (read more)
Only from loneliness will you know what saudade is, and it’s for this reason fado is so important to the Portuguese far away from their beloved country. (read more)
Sunburst by Lisbon Kid, shining into winter. (read more)
Whatever Tony Iommi was thinking when he wrote the riff to “Black Sabbath”, he conjured something into being which made metal and the devil indivisible forever. (read more)
The sense of historical evolution removes from us a responsibility of safeguarding the hard-won victories of the last 100 years… interview with Hirsute folksinging historian Ben Caplan (read more)
Grooves so epic they’ll flap your flares for hours on end. Review of In the Silence Electric by Italian Psych veterans Julie’s Haircut. (read more)
Portico Quartet: capturing “the identity of the quartet, about the records we’ve made before, and the memory of them” – Video ‘Offset’ from Memory Stream (read more)
The captivating new single-shot video for ‘Chapter’ was filmed in New York on The Roosevelt Island Tramway at Queensboro Bridge. (read more)
Tool’s Fear Inoculum has some gorgeous moments, however, much of the album feels like promising intros which never quite get off the ground. (read more)
Understanding formal tendencies in Ambient Drone music through the work of France Jobin (Solitude) and Ager Sonus (Mithra) (read more)
“Lust can often be a greater, more damaging force than love” Scottish singer-songwriter Lauren Spiteri ‘Pretty’ [Video Exclusive] (read more)
There are certainly things to be avoided in Nashville as far as I’m concerned. But to me that’s a different business altogether and it’s a different thing, it’s really the entertainment business and not the music world to me. (read more)
My music has a powerful message behind it and I think that the Celtic tradition cradles that. The stripe is a symbol to remind me of the warrior within me and when people look at it, it reminds them of the warrior within them too. (read more)
CFF 2019 showcased some incredible new talent. Amy Montgomery is one of the few performers who stops you dead in your tracks and forces you to lower your lens to breathe in the sheer brilliance of it all (read more)
Trebuchet sets out to break our 2000 Trees virginity with their excellent 2019 instalment. (read more)
Marky Ramone – brings the iconoclasm of Ramones Punk to your town. Interview 2019 (read more)
Tenor Satirical Saturday Cartoon on Art by Alex Brenchley 2019 (read more)
Drunken shanty renditions of Drank Like Hank would be heard throughout the streets of London into the early morning. (read more)
Dark pop with nods to New Order and Kurt Weill – Apollo Junction In Your Arms (read more)
On CALL ME LUCKY, Watson sings with fondness about his girlfriend, rockabilly singer Celine Lee, on “You Weren’t Supposed to Feel This Good,” while “Mama’s Smile” would have been perfectly suited for a young Elvis. (read more)
Interview with Keith LeBlanc – Ministry, Tackhead, Sugarhill Gang, Nine Inch Nails (read more)
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