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Becoming Picasso : Courtauld Gallery

Picasso responded immediately to the art and culture that surrounded him in Paris – in the first part of 1901 he devoured the sights and excitement of the city and its artists. In the second part...

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Interview: Reptile Youth

'if you have a country where the same old guys have been in power for a long time then it’s going to be a shit country'...

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Martha Parsey: If 6 was 9

Parsey 's palette still has strongly sepia tonality and again dials into the mythic feminine figure, however there is a technical development in these works that we haven't seen before....

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Hanging Offence: Degree Art

Certain elements of the Art World feel the need to exclude others by making them feel unworthy of enjoying it. Great art will never require smoke and mirrors to achieve its deserved attention....

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Hanging Offence: Debut Contemporary

Opportunities are immense, they are global and with a little bit more planning and strategizing, a bit more knowledge, information and know-how when it comes down to how to navigate the art system,...

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Hanging Offence: Breese Little

We work on the premise that the gallery should always operate with increasing momentum, growing in step with the careers and aims of the artists we work with...

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A Case For Culture

The arts can engage everyone. Most of all, surely, we want those who may not otherwise be able to join in, to find the world of art available and open to them - whether for simple enjoyment or for...

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Into the Appalachians [Tour Diary]

'A single lane road etched through this land that’s not the north, or south, that's forgotten by the east but far from the west. If you pointed a rifle at the vast nothing that encompasses the...

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Andy Warhol: 15 Minutes Eternal

A 2 year voyage for this, the largest ever collection of Andy Warhol works in Asia, which will tour from Singapore to Hong Kong, Shanghai, Beijing Tokyo. ...

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Tate Modern: William Klein/Daido Moriyama

I am obviously a little biased toward William Klein and there are those who will no doubt love the Moriyama section of this exhibition; it is after all an impressive and diverse display of...

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Emma Sywyj: China [Photography]

Sywyj's China series is as colourful and eclectic as one would expect of the location, but dispenses with the more obvious depictions of new-urban environments, ancient aesthetics and displaced...

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Araxie Kutchukian: Beyond

Araxie likes to keep it fresh, sees her paintings as a platform, a stage for the contemporary and antique at the same time. Changing scales and working against the viewer’s expectations make her...

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Korean Eye 2012: Saatchi Gallery

This month there are many things inspiring me, but one that really catches the eye is the arrival of contemporary Korean art from 33 artists including Debbie Han, Seon Ghi Bahk, Ji Yen Lee and Myung...

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Ben Young: Victory Gallery, Oregon

Ben Young i think i’m free When I was given the role of art writer for Trebuchet magazine I knew instantly that I wanted to write about new and emerging artists to relay exhibitions that people...

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Invisible in London: Understanding Invisible Art

Anyone living in London will have noticed that in preparation for the Olympic Games, a myriad of shiny new buildings, facades and artworks are materializing all over our City. This weekend I...

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Kids Company: Royal Academy of Arts

Homelessness, abuse, poverty. Who do you envisage? How can they put themselves in this situation? Why don’t they just get a job like everyone else? Today’s society has become accustomed to these...

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Yann Novak/Robert Crouch: Fata Morgana

Yann Novak’s last artwork, the album Presence, was an impressive tableau of ambient noise, deeply evocative and intriguing, yet desperately missing a visual element. A multimedia artist working...

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Tinsel Edwards & Twinkle Troughton: A Mini Retrospective

A kidnapped banker, an some escaped fairies and a body of work that has sprung from a duo of artists who’ve collaborated since childhood…. Until the 19th July, artists Tinsel Edwards...

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Pandamonium : Signal Gallery

The rather cheeky Signal Gallery has challenged all of us, from the panda lovers to the miserable cynics, to see this exhibition and remain with our hearts unmelted. They believe it can’t be...

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Ian Francis: 10,000 Years from Now

The degraded space shown in Francis' work appears aged, as the layered scenes hang on the canvas, caught in motion, peeling with time and abrasive in action. ...

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CONCEPTION: An exhibition to create dialogue and duplicity

Two artists, two cultures, two cities, two media. In this two-part exhibition spanning London and Belfast, the vibrant, acid coloured figurative canvases of Darren MacPherson are hung alongside...

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Edward Burra: Nottingham Lakeside

In some respects a English version of Georg Grosz, Edward Burra's art is more personal, less political. And very sexy. Burra, a master of colour and the human form, places one in a...

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I Break Horses [Live]

I Break Horses, Scala. Sunday 1st April The Scala is packed, we can just about see the band as they appear in silhouette.  From Sweden, I Break Horses, are Maria Linden (keyboard and vocals) and...

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Newark State of Mind

'They say Newark is the new Brooklyn, which was the new East Village, a re-birthed and post-cool SoHo.' Scott Laudati sums up the Newark art scene....

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Metal, music, money and merch: for Malefice – life is a five letter word.

Metal, music, money and merch: for Malefice - life is a five letter word....

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Polymath

Polymath, 14th April 2012, GV Art Gallery, 49 Chiltern Street, Marylebone, London W1U 6LY ....

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Tate Modern: Yayoi Kusama

A review of Yayoi Kusama 2011 Tate show by UK artist Nicola Anthony...

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LS Lowry at Nottingham Lakeside

Shooting the White Elephant Like an understanding that only those of us affected would realise (viz., the changing tide and motion, moving beyond motive and motivation, holding kindness and...

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IMPRINT at the Serpentine Gallery 2012

The Fabelists – coming together to launch an event that crossed many boundaries.Serpentine Gallery’s Centre for Possible Studies, 21 Gloucester Place, 
London W1U 8HR...

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Yayoi Kusama: An Explosion of Stickers

Installation views of The obliteration room 2011 as part of ‘ Yayoi Kusama: Look Now, See Forever’, Brisbane Gallery of Modern Art, 2011 ...

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