Interviews
Sarah Corbett-Batson: To what extent do you feel that you’re preaching to the converted? Grace: What is the converted these days? I tell you, I can’t remember another time in my life that I’ve felt (read more)
Trebuchet’s Sarah Corbett-Batson interviews Folk exponents Stick in the Wheel. Cambridge Folk Festival 2018 (read more)
In conversation with pop’s brave new hope for hopeful, brave pop (read more)
‘I don’t know what a Berlin album is but it’s definitely a me album’ (read more)
Graphic artist Ry Bird talks art, music and fighting cats (read more)
Stuart Forbes on Richard Rogers, Architecture and the Grand Process (read more)
Narcissicism or Self-Portraiture: A Problem Solved? (read more)
Sunn O))) guitarist and sonic adventurer Stephen O’Malley on his latest find: Dhrupad Music (read more)
‘If you sing about anything other than universal themes, you put people off’ (read more)
Like holding back the tide, folk singer and reluctant activist Chris T-T struggles to adapt to a life without opinions (read more)
Guerilla busking, singing with Jon Snow, and the prohibitive costs of haircare – CC Smugglers tell all (read more)
Generations of architectural elegance applied globally (read more)
Designing the spirit, Steyn Studio set an eye on the eternal (read more)
Great architecture ‘takes you to an inner beautiful and peaceful place in the absence of words’ (read more)
Egos, gaffes, junkets and giggles: dealing with Hollywood’s finest is a tricky business (read more)
Great buildings embrace their environment, even in the Antarctic permafrost (read more)
A new and vibrant voice in contemporary painting, Joseph Chidlaw talks to Trebuchet about his art and influences (read more)
Peter Hook talks New Order, Joy Division and women in yoghurt. (read more)
Security stopped us because we Went Too Far…. Whalley Range All Stars prove the power of theatre (read more)
Cie Carabosse go beyond firepots and flashworks with their Exodus of Forgotten Peoples installation (read more)
None more metal than a xylosynth player. (read more)
Puppetry has a quality that allows us, as puppeteers, to get very close to people (read more)
Some audiences are horrible. Maynard Flip Flap’s Rick Allen dares to voice the forbidden truth. (read more)
ance tends to find a way, regardless of setting. Comforting as it may be, there is no real need to invoke the Billy Elliot myth of northern lad shucking off the grim strictures of working (read more)
rebuchet applies its right to invoke Henson’s Law. (Henson’s Law: Even the world’s best CGI will look dated in a decade, but an awesome puppet will always be an awesome puppet.) Since 2001, spectacle makers, (read more)
Evoking tears of joy is a delicate art – The Dream Engine have it in hand (read more)
Busy? Hell yeah! Embracing the moment and making an impact with Cirque Bijou (read more)
Art, controversy, exhibition. In introduction to the curator’s metier (read more)
Fourth wall on the street? Not our style at all. (read more)
Many drummers, not so much partying, but plenty of fuzzy heads – Truckfighters (read more)
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