dance Archives - Trebuchet Magazine

The Ballet of the Nations

29/03/2019 Naila Scargill

Actor Billy Zane narrates an arthouse production inspired by the original piece, in which war is imagined as a diabolical dance choreographed by Satan and Ballet Master Death. (read more)

How did Michael Jackson challenge our understanding of spine biomechanics?

23/05/2018 Naila Scargill

New forms of dancing inspired by Michael Jackson have begun to challenge our understanding of the modes and mechanisms of spinal injury. (read more)

Jon Hopkins: Singularity

21/05/2018 Sean Troth

Smashed beats so metallic you can almost taste the blood. Jon Hopkins kills it with Singularity (read more)

Distressed, Dirty, Disfunctional: Roma Zuckerman

12/12/2017 Alexei Monroe

Dirty, dysfunctional minimalism confuses and fascinates simultaneously (read more)

From Me To You (Steven Rutter)

04/12/2017 Alexei Monroe

How does a futuristic vision hold up when time passes? Very well, in Steven Rutter’s case (read more)

Kotä: Selected Works of Experimental Music and Art Expo

27/10/2017 Alexei Monroe

The Russians aren’t coming. But you can go to them. And should. (read more)

Pact Infernal on Stroboscopic Artefacts (Monad XXV)

01/09/2017 Codex Europa

Architectural depth and space, dark sonics, incantatory beats – Stroboscopic Artefacts produce the goods once more (read more)

Broken Beats, Split Personalities: Stranger (Joanne Pollock)

14/06/2017 NAP and Nico

Frosty and frantic – there are two sides to the iceberg that is Joanne Pollock’s debut (read more)

Part Time Punks Sessions (Inhalt)

25/05/2017 Codex Europa

Is contemporary artists carrying on the electronic traditions of the 1980s: a cultural ourobouros or just clean fun? (read more)

Music shouldn’t be easy to listen to: Lisbon Kid (Interview)

17/05/2017 Kailas

Lisbon Kid talk sounds, scenery and saudades (read more)

(Other People’s) Hooks in the Millions (Olsson)

12/05/2017 Kailas

Destined to be discarded, Olsson pushes the right buttons with Millions. Just not hard enough. (read more)

Demands will be placed on the Listener. Bitter Music (Perc)

09/05/2017 Codex Europa

Perc’s Bitter Music is stylistically labyrinthine, full of murky passages and the occasional dead end (read more)

Loitered Lens: Womadelaide 2017

02/05/2017 Ian Fry

After 25 years, Womadelaide still surprises. Photos from 2017’s edition (read more)

Slippers and Chardonnay Time? (Womadelaide Epilogue)

27/04/2017 Dave Lang

25 years of festivals proves that, despite grumbles from the old ‘uns, Womadelaide knows best. (read more)

Peter Hook and the Light, Kentish Town Forum September 2016

Joy and Division: Peter Hook (Interview)

24/04/2017 Nick Henderson

Peter Hook talks New Order, Joy Division and women in yoghurt. (read more)

Grey Monday (More Blue Rinse than Blue Skies): Womadelaide

21/04/2017 Dave Lang

Kids waving flags, fruitbats cackling and an improvisational spin at Womadelaide (read more)

Womadelaide Walkies: Saturday Footmash

06/04/2017 Dave Lang

Can an old fella still handle festivals? Fruitbats and foot care at Womadelaide (read more)

Coldcut team with On-U Sound and Roots Manuva

31/03/2017 Trebuchet News

A spiky rallying cry for Britain’s indestructible musical melting pot. (read more)

Cabaret Voltaire Go Deep Into The Devil’s Arse (and invite you to join them)

25/03/2017 Trebuchet Magazine

Solid electronica with provenance… from the depths of a Derbyshire cave (read more)

Womadelaide Walkabout: Friday Flashbacks

25/03/2017 Dave Lang

Starting hot, WOMADelaide got hotter still with the activist politics of Ana Tijoux and the Slavic blues of Warsaw Village Band (read more)

Going Down the Soul Mine?

24/03/2017 Trebuchet Magazine

The Soul Mine returns to Hanway Social for a late night of soul, funk and 60s sharp cuts (read more)

WOMADelaide Walkabout, Part One.

22/03/2017 Dave Lang

A quarter century in, does WOMADelaide still deliver? (read more)

Art can provide a mirror to people’s lives: Company Chameleon

10/03/2017 Sean Keenan

ance tends to find a way, regardless of setting. Comforting as it may be, there is no real need to invoke the Billy Elliot myth of northern lad shucking off the grim strictures of working (read more)