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Art is like a Love Affair: Tina Grønning

16/09/2022

An interview with Art collector Tina Grønning ...

Alternative Possibilities: Céline Condorelli

28/08/2022

Celine Condorelli discusses her practice and her first survey exhibition at Talbot Rice Gallery....

The Concrete Uncanny: Jeff Muhs

21/07/2022

An interview with pioneering artist Jeff Muhs...

Livien Yin, Poppies, 2022, Acrylic on linen, 137.2 x 106.7 cm; (54 x 42 in.)

Routes of Life, Ghosts of History

20/07/2022

Post-colonialism is alive and well. As a discourse it has parallel pathways to power and capital through institutions and histories. It is a lens to scrutinise how facts are used to build myths and...

Forever Changed: Various Giant Artists

15/07/2022

FOREVER: CHANGED comments directly on how mass media, culture and production had previously been held at a critical distance....

A Direct Encounter: Coco Capitán

11/07/2022

Artistic Director Shai Baitel on fashion artist Coco Capitán...

From Here to Where? Michael Kagan

30/06/2022

It Lasts Forever is the first London show at Almine Rech by Michael Kagan, a Brooklyn-based artist known for producing oil paintings with large, expressive brush strokes. ...

A Space We Share: An Interview with Nico Marzano

28/06/2022

Head of Cinema at London's ICA, Nico Marzano discusses this years FRAMES of REPRESENTATION....

Iron & Light: Bob Dylan

24/06/2022

Bob Dylan speaks to both the natural and industrial worlds with his new sculpture at Château La Coste....

The Discipline of Inspiration: An Interview with Samuel Andreyev

20/06/2022

An interview with composer and educator Samuel Andreyev....

The Risks of Abstraction: Orlanda Broom

13/06/2022

With the risks of Abstract art it's a bold artist that doubles down. Orlanda Broom at Grove Square Galleries. ...

Céline Condorelli, 'Zanzibar', 2019. 6 colour offset print.

Talbot Rice Gallery announces After Work with Céline Condorelli

11/06/2022

On view in Edinburgh through June – October, and exhibition at Talbot Rice Gallery....

Michael Rumsby, The Beautiful Lost, 2022.

Safety in Michael Rumsby’s Nature

24/05/2022

Michael Rumsby on landscapes, loving life & joy in painting....

Bob Dylan, Rail Car, Chateau la Coste, 2022.

Blood on the Tracks: Bob Dylan

15/05/2022

Noble Laureate Bob Dylan exhibits his sculptures in the South of France ...

Billy Strings, Islington Assembly Rooms, 26 march 2022, © Kailas Trebuchet

A Band Beyond Definition: Billy Strings

08/05/2022

A review of Billy Strings, Islington Assembly Hall, London, UK. 26th and 27th March 2022....

Ghost Like Traces: Between the Ephemeral & the Permanent

28/04/2022

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

Music from Weird Masses: Jarboe

26/04/2022

Experimental icon Jarboe remasters and rereleases her 1986 record Blood Women Roses. ...

Peter Van Dyck, Dobson, Hallway, Hillside, 2021

The Being Beyond Feeling: Peter Van Dyck Pt 2

25/04/2022

An interview with perceptual painter Peter Van Dyck pt 2...

The Being Beyond Feeling: Peter Van Dyck Pt 1

18/04/2022

An interview with perceptual painter Peter Van Dyck pt 1...

Oh Myung Hee, The days were snowy but warm.acrylic on canvas, mother of pearl, 2022

History and Appropriation: Oh Myung Hee

08/04/2022

Oh Myung Hee's 'The Days were Snowy but Warm' exhibition to show in Venice 2022...

People, History, Paint: The Rise of Gisela McDaniel Pt 1

20/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 1...

Photo from Mythical Creatures by Liad Hussein Kantorowicz. Photography by Aviv Victor. 17m35s film, 2020

Nothing About Us, Without Us: Active Bodies at the ICA

02/03/2022

A review of Decriminalised Futures at the Institute of Contemporary Art (ICA), an exhibition showing sex work as artwork....

Trebuchet 11: Cover Artist Nairy Baghramian

15/02/2022

Trebuchet reveals the first of two cover artists for 11: Process - Nairy Baghramian...

The Politics of Genre: Shahzia Sikander

25/01/2022

"Art history is deeply Eurocentric and tends to place art that doesn’t sit comfortably within its canon as the ‘other’ and never as ‘avant-garde’."...

The Serenely Uncanny Sound of Destruction: Foster Neville

25/01/2022

How do fake folk memories and an uncanny set of influences inform a new electronic music release? Alexei Monroe reviews Foster Neville's The Edge of Destruction on Bibliotapes....