The Lost Generation uses historical facts and surrealism to present a contemporary depiction of how Basquiat worked and lived, while highlighting some of his personal and social influences....
The fabric of being in the work of Daisy Collingridge. An interview with a unique artists whose multimedia work combines, psychology, theatre, performance, and installation....
Leonard Rosoman’s paintings of John Osborne's 1965 play A Patriot for Me shine light on a stage production that was an important chapter in LGBTQ+ history....
The sense of historical evolution removes from us a responsibility of safeguarding the hard-won victories of the last 100 years... interview with Hirsute folksinging historian Ben Caplan ...
Creatives from all corners of the continent share their inventive and politically charged stories at London’s landmark festival of European theatre....
Actor Billy Zane narrates an arthouse production inspired by the original piece, in which war is imagined as a diabolical dance choreographed by Satan and Ballet Master Death....
ance tends to find a way, regardless of setting. Comforting as it may be, there is no real need to invoke the Billy Elliot myth of northern lad shucking off the grim strictures of working class...
rebuchet applies its right to invoke Henson’s Law. (Henson’s Law: Even the world’s best CGI will look dated in a decade, but an awesome puppet will always be an awesome puppet.)...
