Beware of Mr Baker

SEE Ginger whipping up an afro storm with Fela Ransom Kuti in Lagos. SEE highlights from both of Cream’s memorable Albert Hall performances. SEE Ginger, stoned out of his mind, falling off his drums on a live German TV show. (read more)


Big Boys Gone Bananas* [Film]

Back in 2009 director Frederik Gertten was scheduled to premiere his latest film at the LA Film Festival. Called simply Bananas, it dealt with alleged abuses suffered by Nicaraguan workers who worked for the Dole Food Company, an international corporation and the world’s biggest producer of fruit.
The rest of the film deals with Fred’s doggedly phlegmatic attempt to clear his name, while gathering an unlikely bunch of supporters including a charmingly scruffy nerd/blogger, a burger chain and the entire Swedish Parliament. (read more)


The Economy of Violence

The fact that Hollywood often releases certain types of movies ‘en glut’ has led to conspiracy theories that it is manipulated by our old friend ‘dark forces’, but the truth is that this hermetic industry has always had a copycat nature. It’s just that things have sped up in tinseltown. Scripts are pirated so swiftly now that if there is one Snow White movie on the way there will soon be another hot on its heels. (read more)


David Lynch : Crazy Clown Time [Deluxe Edition]

David Lynch is a deft practitioner of ‘Vagueness of form’, as so evidently witnessed in Eraserhead, Lost Highway, Firewalk With Me, and, in fact – all his films. Crazy Clown Time uses a mixture of bare bones instrumentation, very subtle atmospheric textures and, in certain cases, a narrative to guide the listener into their own inner cinematic world. (read more)


London: The Modern Babylon [Film]

Temple’s film is aimed at middle-aged armchair warriors, like himself, and clumsily manipulates the moving image to reinforce left wing stereotypes. Churchill was BAD. Thatcher was BAD. Ken Livingstone (the most self serving politician of his generation) was GOOD. The crippling strikes of the seventies were NOT created by greedy Trade Unions or arrogant Labour Ministers. (read more)


Queer British Paganism: Meltdown 2012

Opening with Derek Jarman’s Journey to Avebury the scene was gently set. A super 8 movie. Almost a travel document. A visual diary, a diary which continued throughout the night, for this wasn’t a concert of music, but of words, sounds and images, something David Tibet and his new project Myrninerest have made their forte.

Here was a gathering of men and women who had loved a man, been inspired by him and were sharing their expressions. Coming together, they created a whole. A release? And leaving the Queen Elizabeth Hall I felt something had been shared with me. Something full of love, full of pain, mixed up, confused and very human. Together, they created, and together they had found a new balance. (read more)


Metropolis; Hawks and Sparrows; Pigsty

In a nice antidote to blockbuster season, there is much food for thought to be had in three of this week’s DVD releases. (I doubt the debate surrounding the Batman shooting will last for long, and besides, despite the usual lazy journalism, that incident bears no relation to the film’s content.)

Projecting the messages that society will devour anything less than strict obedience, the futility of merging ideologies and the prediction of the abject suppression of the proletariat, the timing for the release of these films—Metropolis (1927); Hawks and Sparrows (1966); Pigsty (1969)—is perfect; only the most oblivious amongst us aren’t pondering the direction of humanity in our current society. (read more)


The Dark Knight Deflates

SPOILER WARNING: this review contains essential plot details of the film but it may save you from wasting three hours in air-conditioned semi-darkness. Ever since Frank Miller created the template for an ageing, wounded and (read more)


Electrick Children

Serving as first-time for both director/writer Rebecca Thomas and a lead role for Julia Garner (not bad for only her second feature), Electrick Children, while a little predictable, particularly in its conclusion, is a quirky, very watchable little indie. Essentially a coming-of-age road-trip story, it certainly has a great hook: virgin birth by rock ‘n’ roll is going to intrigue most viewers. (read more)


Arirang [Cinema]

Marking Korean director Kim Ki-duk's return to filmmaking, and indeed the world in general, Arirang is an interesting one that will divide opinion. Having self-imposed a punishing, three-year exile after a near-fatal accident in his (read more)

No Picture

Punishment Park

As the UK slips further towards the more and more real prospect of a police state — some, myself included, would argue we’re already there — this 40th anniversary Blu-ray edition of Peter Watkin’s Punishment (read more)