Painting

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The Audience and the Work: Joël Andrianomearisoa

An interview with Malagasy installation artist Joël Andrianomearisoa ...

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Colonialism, Audience and Art’s Ability to Teach

An interview with Larry Ossei-Mensah...

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Gavin Turk’s Reimagining of Richter

Painting the Glitch in the Matrix: Gavin Turk at Ben Brown Fine Arts. ...

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Realist Modes of Process

Govinda Sah 'Azad and the challenge of depicting transcendence....

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Frieze 2022

Paint rules the day at Frieze 2022. ...

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Majesty: A Tribute to the Queen

A life refracted: New exhibition explores the work of three royal artists who have immortalised Her Majesty the Queen in their portraits. 28th September – 12th October, 2022...

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Walking into Modernity

Specially commissioned works and historical pieces come together at Saudi Arabia's Ithra Museum. ...

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Geometry, Dreams and Parables: Nazir Tanbouli

A preview of Nazir Tanbouli's exhibition Tales from the Golden Forest at Kristin Hjellegjerde Gallery London...

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Art is like a Love Affair: Tina Grønning

An interview with Art collector Tina Grønning ...

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The Concrete Uncanny: Jeff Muhs

An interview with pioneering artist Jeff Muhs...

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Routes of Life, Ghosts of History

Post-colonialism is alive and well. As a discourse it has parallel pathways to power and capital through institutions and histories. It is a lens to scrutinise how facts are used to build myths and...

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A Simple Feast: Kristof Santy

La Grande Bouffe includes 17 paintings by Kristof Santy that iconise the ordinary and celebrate the ubiquitous act of cooking...

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Forever Changed: Various Giant Artists

FOREVER: CHANGED comments directly on how mass media, culture and production had previously been held at a critical distance....

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From Here to Where? Michael Kagan

It Lasts Forever is the first London show at Almine Rech by Michael Kagan, a Brooklyn-based artist known for producing oil paintings with large, expressive brush strokes. ...

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Iron & Light: Bob Dylan

Bob Dylan speaks to both the natural and industrial worlds with his new sculpture at Château La Coste....

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The Risks of Abstraction: Orlanda Broom

With the risks of Abstract art it's a bold artist that doubles down. Orlanda Broom at Grove Square Galleries. ...

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Safety in Michael Rumsby’s Nature

Michael Rumsby on landscapes, loving life & joy in painting....

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Blood on the Tracks: Bob Dylan

Noble Laureate Bob Dylan exhibits his sculptures in the South of France ...

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Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 2

Labours of meaning, stances of distances - an interview with Paul Sietsema. Part two....

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A Conversation Between Body & Object: Lee Ufan

The Korean artist prepares himself mentally and physically to begin each work and adopts specific bodily postures during the making process ...

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Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 1

Labours of meaning, stances of distances - an interview with Paul Sietsema. Part One....

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Hope and Myth in Mitch Griffiths’ Immortal

A review of Mitch Griffiths IMMORTAL exhibition at Halcyon Gallery...

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Ghost Like Traces: Between the Ephemeral & the Permanent

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

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The Knight Divided, Nature Interrupted

The Twin Exhibitions of Richard Stone and Celina Teague ...

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The Being Beyond Feeling: Peter Van Dyck Pt 2

An interview with perceptual painter Peter Van Dyck pt 2...

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The Being Beyond Feeling: Peter Van Dyck Pt 1

An interview with perceptual painter Peter Van Dyck pt 1...

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Faces of Consequence: Tae Kim Pt 2

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 2...

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New Folk for Old Tunes: Richard Thompson

A review of the rerelease of Richard Thompson's 1976 collection of rare and unreleased material (Guitar/Vocal)...

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undo undo undo: Vivien Zhang

Colliding motifs generate a sense of fluctuation and ambivalence, against a backdrop of repetition and certainty. 'undo undo undo' by Vivien Zhang questions our technological world making. ...

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Faces of Consequence: Tae Kim Pt 1

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 1...

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