
Theresa May Brexits English to Death
Theresa May’s Brexit speech was delusional, vapid and debased the English language. Didn’t she do well? (read more)
Theresa May’s Brexit speech was delusional, vapid and debased the English language. Didn’t she do well? (read more)
As KFC is forced to close scores of branches, what does this reveal about our ever-so-slightly dysfunctional society? (read more)
It’s perhaps too easy to mock Boris Johnson. And yet he remains an ominous symptom of a society in decline. (read more)
Plans to restrict Web Porn is more informed by humbug than serious debates, and reflects a deeper social dysfunction. (read more)
Donald Trump’s State of the Union speech last week revealed many things and (surprise) more than a few echoes of colonialism. (read more)
It is time for BBC News to die. It is in a dreadful state, like a horse in the Grand National that’s about to be shot. (read more)
In the aftermath of Carillion’s collapse, and its winning of government contracts despite clear profit warnings, where does this leave privatisation? (read more)
Sometimes we just have to state the obvious. Brexit is a bad idea. It has already split the country and gave voice to all manner of nasty beliefs once thought dead and buried. (read more)
Myrkur proves, by dint of sheer talent, that magnificent Black Metal can be made by those there lady women people. (read more)
Blue Planet II’s weekly reminder that you are a sh*t (read more)
Guts and Gusto win out whilst Grammar Gets Gutted. (read more)
Morbid, Miserable and Doomy as a 1990s first-person Shoot ’em Up. (read more)
Vampire’s second album, With Primeval Force, has all the fangs it needs (read more)
Doom metal with passion and refinement – The Obsessed are back after a brief 23-year break (read more)
Autocracies fail in the long run because the people much prefer to oppress themselves than be oppressed (read more)
2016 was not a good year for democracy. This year could be worse. (read more)
Simultaneously doomy and a little dotty, Domkraft freshen the formula with The End of Electricity (read more)
Accomplished and precise, Arkona’s rework of Vozrozhdeniye nevertheless fails to ignite (read more)
Avoiding kitsch and staying extreme, Rudra integrate south Asian influences into metal mayhem (read more)
Convenience death metal, giant wicker cocks. If politics has gone weird, why shouldn’t music? Review of Gatecreeper and Abysmal Grief albums (read more)
HammerFall and Civil War prove there’s more sludgy grind to Sweden than Ikea’s meatballs (read more)
Czech dark metal act Root are a band you haven’t heard of, but should have (read more)
We keep getting what we deserve and we never ask why. (read more)
A summer of death, filth, junkie Olympians and the Zika virus needs an appropriate soundtrack. Metal meltdown ahoy. (read more)
The nightmare of history menaces the month’s metal releases (read more)
In the midst of death… Heavy Metal, that most persistent and insidious weed, offers up new releases from Witchcraft, Ghost Witch, Gomorrah and Conan. We review. (read more)
Interview with Panamanian deathgrind’s prime mover – Cadaver, the singer/drummer of Abatuar, opines. (read more)
No wonder governments like to advocate ‘hard work’. The last thing they want is people with minds and lives of their own. Overworked people know their place. (read more)
We play the music for ourselves and if people like it, that’s OK – Daniel Droste, AHAB (read more)
Audience figures for Saturday night’s mess are the lowest ever for a Who series opener. You’d think they would have got the hint. (read more)
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