Author: Edward Winters

Ed studied painting at the Slade School of Fine Art and later wrote his PhD in Philosophy at UCL. He has written extensively on the visual arts and is presently writing a book on everyday aesthetics. He is an elected member of the International Association of Art Critics (AICA). He taught at University of Westminster and at University of Kent and he continues to make art.
Pexels Black Ice - Numbers

Concrete Art 2: Number As Material

12/05/2021

Euclid defines line as ‘breadthless length’. The Skills You Need educational website, under the heading of ‘geometry’, defines ‘point’, ‘line’, ‘plane’, and ‘solid’...

Read More

Concrete Art 1: Colour As Material

05/05/2021

The distinction between primary and secondary qualities, as provided by John Locke, tells us that secondary qualities are accessible only to one mode of perception...

Read More
Clack-Clack-Rococo

Surrealism, Over, Yet Everywhere: Mica McDonald and Sofia Mitsola

13/07/2020

“And now consider how passing a child on a swingCalling higher, higherCan bring back all that tender trauma of childhoodRealising that we don’t leave the past behindBut that it leaves...

Read More

Architecture and Aesthetic Errors

29/05/2020

Modernist architecture, seen as art, falls into aesthetic error when it fails to address the nature of the lives encompassed by it....

Read More

Blaxploitation and Black Beauty: Mickalene Thomas – beautés du mois

14/05/2020

This essay looks at the conception of black beauty in the 70s in terms of contemporary art. Mickalene Thomas' work draws upon popular culture and makes beautiful paintings from it....

Read More
After the hunt, 1870, by David Neal (1838-1915)

If the Lion Could Speak (…)

11/05/2020

This essay argues that animals are not so minded as to have language. Whilst they exhibit proto-typically linguistic calls, these never amount to exhibiting something like the structure of a language...

Read More

Jane Bustin’s V – Tea Bowls (and Other Things) in Paris

31/10/2019

The more you think about things the stranger they get; and more beautiful....

Read More

James Rosenquist: Visualising the Sixties

20/09/2019

This essay looks at the work of James Rosenquist in terms of the pop art movement. Broadening its scope, we look at this artist's work against that of Ed Kienholz and Joseph Cornell....

Read More

Colour and Structure; Delightful abstract paintings in Paris

23/07/2019

These paintings show quasi-geometrical structure of colour space. Together with a sensitivity to surface texture the abstract nature serves to point upa new kind of content - or one that is hidden...

Read More

Seeing is Believing

15/07/2019

Looking at paintings requires an ability to place works in the historical context of the medium. Only then can we see the human significance of the work. It is no good looking inward to brain...

Read More

The London Original Print Fair at the Royal Academy

29/05/2019

Andrew Edmunds deals in antique political prints. In this show at the Royal Academy, the works he shows stand up well to contemporary art and its political ambitions. ...

Read More

Two Contemporary Women Concrete Artists

29/05/2019

Two current exhibitions on opposite sides of the globe present work from two contemporary women artists; each, in her own way, a concrete artist. At RaumX, in north London, Katrina Blanin shows...

Read More

The Painting That Changed the History of Modern Art

26/02/2019

Exhibition On Screen returns with ​Young Picasso, an extraordinary detective story that looks in detail at the elements that drove one small boy from southern Spain to such heights. ...

Read More

Hippolyte Hentgen and the Other World

04/02/2019

Hippolyte Hentgen at Semiose, Paris...

Read More

Colour, Love (or its absence) and Beauty are at the Heart of the City

17/01/2019

Piazza Rotunda at Dawn Making Art as Chronicle dropcap style=”font-size:100px;color:#992211;O/dropcapona Grimes is a restless city artist. She makes pictures; and in making them she strives to...

Read More

Robert Rauschenberg: Spreads 1975-83

19/12/2018

This essay argues that Rauschenberg, as an American artist, repositions collage as a flat formal arrangement. However, the formal arrangement, whilst remaining flat, accommodates depictive content as...

Read More

Escape to Berlin: A Travel Memoir

05/12/2018

Adrian Piper, on Personal Identity, Art and Teaching...

Read More

Skill and Competence as a Requirement

11/11/2018

Skill is deployed in many fields of human endeavour Football takes skill. I played football at the same time as did Rodney Marsh, Denis Law and Colin Bell. They were footballers; but I was not. Why...

Read More

Degas: Passion For Perfection

09/11/2018

Degas: Passion For Perfection uses the film medium to good effect, allowing the viewer to see the artist's process in action. ...

Read More

‘Site Unseen’ Explores Making and Seeing

07/11/2018

  ‘Darren Coffield’s ‘Orgreave’ dropcap style=”font-size:100px;color:#992211;‘S/dropcapite Unseen’ is a group show inaugurating the new exhibition premises of...

Read More

On The Image

14/10/2018

Two Russian Tourists visiting Salisbury dropcap style=”font-size:100px;color:#992211;I/dropcapmages of every kind bombard us daily with information, persuasion and delight. The ‘image stream’...

Read More

Science and Aesthetics

08/10/2018

Pablo Picasso, Guernica, 1937 Science, of course, is immensely important; perhaps even the patterns made by diffraction are important too; even if only as a bi-product of some scientific goings-on....

Read More

Face-to-Face: Mary Kelly and Conceptualism

02/10/2018

Mary Kelly, Face-to-Face, solo exhibition, installation view, Pippy Houldsworth Gallery, London (2018)  dropcap style=”font-size:100px;color:#992211;M/dropcapary Kelly’s Face-to-Face exhibition...

Read More
Stezaker Homage - 2018 - Trebuchet

Depiction in the work of a Photo-Collagist

21/09/2018

Conceptualist and Romantic Photo-Collagist Provides insight into Depiction: John Stezaker at the Approach...

Read More

A Romance of Many Dimensions at sid motion

07/09/2018

Matthew Barnes, Hannah Hughes, and Abigail Hunt @ sid motion gallery...

Read More

Paintings, Flat Sculpture, and Non-Medium Specific Art

30/08/2018

Sarah Sze at Victoria Miro...

Read More

Fake News, Clickbait, and the Phishing Net

26/08/2018

dropcap style=”font-size:100px;color:#992211;P/dropcapresident Donald J Trump is an intriguing phenomenon. Any criticism of his presidency is dismissed as ‘Fake News’. Nigel Farage...

Read More

Liberal Democracy and Freedom of Expression

17/08/2018

dropcap style=”font-size:100px;color:#992211;C/dropcaplinton Stanley Jr. has been denied access to his school upon the day of his enrolment because he wears his hair in dread locks. Is this a...

Read More

The Genius That is Boris Johnson

09/08/2018

Sky News Poll dropcap style=”font-size:100px;color:#992211;B/dropcaporis Johnson’s latest contrarian contribution pulls out of focus some features of our modern democracy. And whilst his...

Read More

Mind Over Matter: Putting Thought in its Place

06/08/2018

Mind and Brain dropcap style=”font-size:100px;color:#992211;W/dropcaphenever we think about thinking, we think about mind. It is a common commendation to say of someone that he or she has a good...

Read More

Our weekly newsletter

Sign up to get updates on articles, interviews and events.

↑
Join Trebuchet on PatreonExclusive content and full media memberships available

This is the patreon page for Trebuchet podcast and website. We publish a beautiful printed magazine biannually and release an irregular podcast on contemporary art every month (or so). 

Our website is updated every other day with new art news, art criticism and much more. Become a backer and join us in discovering new forms of art that raise the heart rate and electrify the mind.  

Learn More