Trebuchet Issue 4

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Technical Ecstasy: Aubrey Williams

Technical expressions of a meaning system meant to be understood in the abstract. Preview of Aubrey Williams: Future Conscious...

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The Life in Portraits: Charlie Schaffer

An interview with Charlie Schaffer ahead of his Scalpel-Like Eyes exhibition...

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A Snap: Photo London 2023

Photo London has returned to Somerset House for its 8th edition, presenting 125 exhibitors from 56 cities from across the globe. Led by the Master of Photography exhibition ‘Martin Parr –...

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Who Laughs Last: Killing Joke 100 club

Dark fire and dystopian revels, Killing Joke are the band for eras of discontent. ...

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Carrying life: Motherhood and Water in Malawi

A review of Laura El-Tantawy's photographic exhibition...

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Tai Shani on Power, Story and Reality Pt. 2

Practice, story and reality; an in depth discussion with Turner Prize winning artist Tai Shani. Part Two,...

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Tai Shani on Power, Story and Reality

Practice, story and reality; an in depth discussion with Turner Prize winning artist Tai Shani...

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Chantal Meza

An abstract painter living and working in the United Kingdom. Chantal Meza’s work has featured in Exhibitions, Auctions, Interventions, Biennale & Donations in prominent Museums and...

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Colonialism, Audience and Art’s Ability to Teach

An interview with Larry Ossei-Mensah...

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Image Junkies

Mia Fineman discusses The Folio Society’s new edition of ‘On Photography’...

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Walking into Modernity

Specially commissioned works and historical pieces come together at Saudi Arabia's Ithra Museum. ...

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The Concrete Uncanny: Jeff Muhs, Part two

An interview with pioneering artist Jeff Muhs. Part two...

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The Concrete Uncanny: Jeff Muhs

An interview with pioneering artist Jeff Muhs...

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A Space We Share: An Interview with Nico Marzano

Head of Cinema at London's ICA, Nico Marzano discusses this years FRAMES of REPRESENTATION....

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The Discipline of Inspiration: An Interview with Samuel Andreyev. Part Two

An interview with composer and educator Samuel Andreyev. Part two....

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The Discipline of Inspiration: An Interview with Samuel Andreyev

An interview with composer and educator Samuel Andreyev....

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The Optics and Shine of Chris Levine Pt 2

An interview with famed photographer and light artist Chris Levine. ...

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The Optics and Shine of Chris Levine

An interview with famed photographer and light artist Chris Levine. ...

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Cultural Messengers: Midnight Oil Keep Burning

Moods stretch from the wilderness reverie of ‘Tarkine’ and the poignant ‘Lost At Sea’ to the anthemic protest celebration...

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Hope and Myth in Mitch Griffiths’ Immortal

A review of Mitch Griffiths IMMORTAL exhibition at Halcyon Gallery...

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Music from Weird Masses: Jarboe

Experimental icon Jarboe remasters and rereleases her 1986 record Blood Women Roses. ...

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Faces of Consequence: Tae Kim Pt 2

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 2...

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New Folk for Old Tunes: Richard Thompson

A review of the rerelease of Richard Thompson's 1976 collection of rare and unreleased material (Guitar/Vocal)...

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People, History, Paint: The Rise of Gisela McDaniel Pt 2

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 2...

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People, History, Paint: The Rise of Gisela McDaniel Pt 1

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 1...

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The Crossroad Blues and High Vantages of Oli Kellett Pt 2

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series...

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The Crossroad Blues and High Vantages of Oli Kellett Pt 1

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series. ...

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What is Sculpture? Nairy Baghramian

Exclusive interview with 2022 Nasher Prize Laureate Berlin based sculptor Nairy Baghramian...

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Everything is in the Artist’s Favour: Danny Casale

Danny Casale on NFT’s, Positivity, and How to Make a $1000 Cup of Coffee ...

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The Politics of Genre: Shahzia Sikander

"Art history is deeply Eurocentric and tends to place art that doesn’t sit comfortably within its canon as the ‘other’ and never as ‘avant-garde’."...

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