performance Archives - Trebuchet Magazine

China Changing Festival Returns for Grand Finale

08/08/2018 Naila Scargill

Southbank Centre’s China Changing Festival celebrating innovative contemporary Chinese culture returns with a packed four-day programme for its grand finale. (read more)

Emilio Vedova, Icon of Radical Italian Art

29/05/2018 Natalie Andrews

The hero of radical Italian art in who painting is reinvigorated as the premier medium encompassing all others. (read more)

Daniel Morden: The Empty Hand (Crick Crack Club, Soho Theatre)

21/12/2017 Crystal Bennett

His dark materials: Daniel Morden shines a light at the Crick Crack Club (Soho Theatre) (read more)

Loitered Lens: Great British Tattoo Show

20/07/2017 Carl Byron Batson

It’s not just ink at the Great British Tattoo Show (there’s rubber, lace and unguents too) (read more)

Can We Really Do Spatial Audio? (Seeing With Your Ears)

28/06/2017 Trebuchet News

Novel acoustics project aims to improve virtual reality and explore ear shape effects on 3-D sound (read more)

Disbelief is right there all the time: Maynard Flip Flap

11/03/2017 Sean Keenan

Some audiences are horrible. Maynard Flip Flap’s Rick Allen dares to voice the forbidden truth. (read more)

Urban(e) Legends: Prodigal Theatre & The Urban Playground Team

16/01/2017 Sean Keenan

Fourth wall on the street? Not our style at all. (read more)

Seductive Storytelling, Metaphor and Myth (Shifter at Soho Theatre)

25/02/2016 Kiarnie Collins

Layered fables, haunting modern myth and Afro-Caribbean folk tales in Crick Crack Club’s Soho Theatre session (read more)

Lydia Lunch: The Lexington

06/09/2012 Lee Gerrard-Barlow

Fresh from her performance at the Manchester ‘Fat-out’ festival, Lydia Lunch relished the part of ‘Mistress of Ceremonies’, showcasing various friends and new talents that she had cobbled together for this unusual London event. As is to be expected, she’s a damn fine ‘Mistress of Ceremonies’ too. (read more)

Bloodstock 2012

05/09/2012 Jed Saint

Their fist-pumping fusion of brutish guitar and folk-esque synth lines make for a brilliant way to kick off my Bloodstock. They bring a feeling of raw ‘epic-ness’ that, although strived for by many metal bands, few can truly achieve – especially in a live scenario. It isn’t often that long instrumental sections can captivate, retain and coerce a crowd into head nodding and foot shuffling, but Moonsorrow really have it cracked. (read more)