In the Royal Academy’s Summer Exhibition of 1808, J.M.W Turner made a rare misfire. British Landscape Painters Plateau at Sotheby’s: Trebuchet July Market Roundup (read more)
Theatrical declarations and curated authenticity. Galerie Da-End: The mystery and the multidisciplinary (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
Space-time contains value on all human levels of understanding so where do we sit with it? (read more)
The line between artist and forger an interview with Shaun Greenhalgh (read more)
Sarah Sze at Victoria Miro (read more)
Adam Dix: The subtle elevation of iconography and reality (read more)
Review of ‘Pablo Picasso: Between Cubism and Classicism 1915-1925’ Ed. Berggruen and von Liechtenstein. (read more)
This exhibition comprises mainly large-scale paintings that are flooded with molten lead. (read more)
Artist Eddie Peake’s autobiographical new exhibition at White Cube. (read more)
Contemporary gallerists Fiumano Clase showcase their chosen few at the 2018 London Art Fair. (read more)
Naomi Wanjiku Gakunga transforms her history and memories into monumental wall-hanging sculptures that are sure to surprise (read more)
Her artwork can sometimes say as little as it can possibly say whilst still existing. But what an enormous statement that is. (read more)
For me, a controversial work is unconventional, contradicts traditional methods of interpretation and provokes a reaction. (read more)
Putting design in the space as art and treating them with equal love and attention. NOW Gallery’s Jemima Burrill interviewed. (read more)
Using cutting-edge technology, Heijdens will animate the gallery space through clever manipulation of sunlight and the prevalent Greenwich Peninsula wind. (read more)
A historical overview of computation systems, the symbolic basis of process thought. (read more)
This year Bloodstock is summoning visions of the dark lord through an onsite exhibition by Bloodstock festival founder and painter Paul Raymond Gregory. (read more)
At the Zabludowicz Collection, it is not just our perception of different media that is challenged, but also our relationships to time, scale, colour, form and materials (read more)
Challenging our perceptions of art and viewing rituals in art galleries : British Folk Art. (read more)
Pictures of Throne live at the Cob Gallery, London (read more)
Going Beyond the Object into Shadows of Pure Colour: Dale Chihuly’s Glass Sculptures at the Halcyon Gallery (read more)
Here art is about joy, tranquillity and hope. Not all art can be like this, but when it is, it is often at its most beautiful and poignant (read more)
Behind the carefully enunciated words, is a man whose whole existence revolves around art, and that each phrase is born of a lifetime’s experience and understanding. (read more)
Integrating art and science, Future Human plays with the possible, the probable and the implausible through a collection of interdisciplinary artworks, experiments and speculative designs (read more)
The attempts made to create safety and security for the Iraqi home have been staged. Just like the space in South London Gallery, they represent the crippled reality of political impotence. (read more)
Henri Matisse: The Cut-Outs is a must-see for so many different reasons. The Tate director, Nicholas Serota, claims it will be “the most evocative and compelling show that London has ever seen”. (read more)
Tate Britain’s Late Turner keeps Turner on the stage rather than focusing on his exit. As co-curator Sam Smiles said, these are “paintings with subjects that have resonance”. (read more)
Waiting series examines the social disconnect of individuals on public transport and in public spaces, always waiting, never being. (read more)
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