Art
Hippolyte Hentgen and the Other World
Hippolyte Hentgen at Semiose, Paris (read more)
collage
Art
Robert Rauschenberg: Spreads 1975-83
This essay argues that Rauschenberg, as an American artist, repositions collage as a flat formal arrangement. However, the formal arrangement, whilst remaining flat, accommodates depictive content as a secondary source of content. (read more)
Art
Depiction in the work of a Photo-Collagist
Conceptualist and Romantic Photo-Collagist Provides insight into Depiction: John Stezaker at the Approach (read more)
News
Madame Moustache
Mistress of Beautiful Intoxicating Street Art (read more)
Art
Artistry in Assembly: Lillianna Pereira
Human experience (including the artist’s) is not necessarily unique (read more)
Art
The Manicured Wild (Kristin Hjellegjerde Gallery)
Johnny Briggs and Evy Jokhova explore the gap where man and nature meet at Kristin Hjellegjerde Gallery (read more)
Art
Control, chaos and geometry: Julien Pacaud
French illustrator and artist Julien Pacaud makes a study of control, and letting it go (read more)
Art
Street Art to Gallery – An LA Story (Gary John)
The transition from street art to gallery credibility takes talent and a scoop of good luck. Gary John has both. Profile. (read more)
Art
Scissors, Paste and Acuity: Isabella Kelly-Ramirez
Deconstructing (and reconstructing) the female beauty myth (read more)
Art
Davin Kyle Knight
Repurposing the ubiquitous office tools of the 21st century, Davin Kyle Knight creates hybrids of object and image (read more)
Art
Collagist by Circumstance (Patrick Bremer)
Patrick Bremer was trained in oils but “ended up doing collage out of circumstance,” (read more)
Art
Hormazd Narielwalla
Hormazd Narielwalla’s work is a celebration of both ancient tailoring techniques, collage and the human form. (read more)
Art
Claudio Parentela
The rigidity of conventional responses to sexual imagery takes a beating in Parentela’s collages – their brutal exposition of the flawed humanity beneath and beyond the adland exterior is made obvious by crude overlays of cartoonish meta-commentary, or by cut-and-pasted features. (read more)