Category: Art

The aim of art is to represent not the outward appearance of things, but their inward significance. – Aristotle

Mitch Griffiths, Flat Earth

Hope and Myth in Mitch Griffiths’ Immortal

28/04/2022

A review of Mitch Griffiths IMMORTAL exhibition at Halcyon Gallery...

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Hannah Wilson, Nosebleed (Adam), 2022.

Ghost Like Traces: Between the Ephemeral & the Permanent

28/04/2022

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

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Richard Stone, icarus and the sea, 2022

The Knight Divided, Nature Interrupted

27/04/2022

The Twin Exhibitions of Richard Stone and Celina Teague ...

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Peter Van Dyck, Dobson, Hallway, Hillside, 2021

The Being Beyond Feeling: Peter Van Dyck Pt 2

25/04/2022

An interview with perceptual painter Peter Van Dyck pt 2...

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Peter van Dyck, Efrems, Morning, 2021

The Being Beyond Feeling: Peter Van Dyck Pt 1

18/04/2022

An interview with perceptual painter Peter Van Dyck pt 1...

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Tae Kim Facelessgamer-'tnqkr please', 2021

Faces of Consequence: Tae Kim Pt 2

11/04/2022

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 2...

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Oh Myung Hee, The days were snowy but warm.acrylic on canvas, mother of pearl, 2022

History and Appropriation: Oh Myung Hee

08/04/2022

Oh Myung Hee's 'The Days were Snowy but Warm' exhibition to show in Venice 2022...

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Vivien Zhang, Attribution, 2022

undo undo undo: Vivien Zhang

06/04/2022

Colliding motifs generate a sense of fluctuation and ambivalence, against a backdrop of repetition and certainty. 'undo undo undo' by Vivien Zhang questions our technological world making. ...

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Tae Kim Facelessgamer-나이키본사입수', 2021

Faces of Consequence: Tae Kim Pt 1

05/04/2022

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 1...

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People, History, Paint: The Rise of Gisela McDaniel Pt 2

28/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 2...

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People, History, Paint: The Rise of Gisela McDaniel Pt 1

20/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 1...

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Oli Kellett, FIGUEROA ST, LA, 2016

The Crossroad Blues and High Vantages of Oli Kellett Pt 2

14/03/2022

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series...

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Oli Kellett, Westwood_Blvd, LA, 2017

The Crossroad Blues and High Vantages of Oli Kellett Pt 1

07/03/2022

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series. ...

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Photo from Mythical Creatures by Liad Hussein Kantorowicz. Photography by Aviv Victor. 17m35s film, 2020

Nothing About Us, Without Us: Active Bodies at the ICA

02/03/2022

A review of Decriminalised Futures at the Institute of Contemporary Art (ICA), an exhibition showing sex work as artwork....

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NAIRY BAGHRAMIAN Jumbled Alphabet, 2021. Photo: Rebecca Fanuele

What is Sculpture? Nairy Baghramian

01/03/2022

Exclusive interview with 2022 Nasher Prize Laureate Berlin based sculptor Nairy Baghramian...

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Eleanor May Watson, Zeitgeibers. (2021) 2021 photo by Demelzalightfootphotography

Inside Our Nostalgia: Eleanor May Watson

19/02/2022

A review of Eleanor May Watson’s exhibition Curtains Drawn at Wilder Gallery...

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Everything is in the Artist’s Favour: Danny Casale

18/02/2022

Danny Casale on NFT’s, Positivity, and How to Make a $1000 Cup of Coffee ...

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Trebuchet 11 Process - Cover Artist - Chris Levine

Trebuchet 11: Cover Artist Chris Levine

16/02/2022

Trebuchet reveals the first of two cover artists for 11: Process - Chris Levine...

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Trebuchet 11 Cover Nairy Baghramian

Trebuchet 11: Cover Artist Nairy Baghramian

15/02/2022

Trebuchet reveals the first of two cover artists for 11: Process - Nairy Baghramian...

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Juan Arango Palacios Jungle Study (2021)

The Empowered Salon of the Queer

01/02/2022

A review of imagery and technique at Guts Gallery’s Salon...

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Faces & Fame: Anton Corbijn

01/02/2022

Auctioneer and art collector Simon de Pury continues his ‘de PURY Presents’ series with a collection of works by photographer Anton Corbijn and his capturing of famous faces from Kraftwerk to...

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watercolour painting

The Politics of Genre: Shahzia Sikander

25/01/2022

"Art history is deeply Eurocentric and tends to place art that doesn’t sit comfortably within its canon as the ‘other’ and never as ‘avant-garde’."...

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Hard Fast Love Gail Olding 2022

Hard Fast Love: Gail Olding

23/01/2022

The sacred feminine in Gail Olding's manifest sculptures...

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figurative painting

Curatorial Frequencies: Jade Foster

18/01/2022

An interview with artist and curator Jade Foster in the context of their latest curatorial project at Gillian Jason Gallery, London...

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Dernieres-nouvelles-des-vivants-Last-news-from-Humans-2011-exhibition-view-_Chance_-French-Pavilion-at-the-54th-Venice-Biennale-©-Christian-Boltans-scaled

Kings Never Die: Christian Boltanski’s Esprit

11/01/2022

The Manege's Central Exhibition Hall holds Esprits, Christian Boltanski’s first-ever solo exhibition at St Petersburg....

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artist in the studio

“Nothing is Pure”: Jock McFadyen

30/12/2021

Scottish artist Jock McFadyen on painting place and the evolution of London's art scene...

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Jordan Ann Craig, Always Playing Games, 2021

Poetry in the Precision: Jordan Ann Craig

21/12/2021

An interview with Jordan Ann Craig about the thunderstorms that caused her to dream. ...

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pencil drawing of a film scene

Cinematic Drawings: Marie Harnett

18/12/2021

British artist Marie Harnett discusses her love of film, capturing fleeting moments and the silvery gleam of pencil...

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Chantal Powell, Blood Moon (2021) Damian Griffiths

Primordial Whispers at Arusha Gallery

17/12/2021

An epistemological exhibition on forbidden philosophies, folk knowledge and intuitive spirits via Arusha Gallery...

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Jordan Ann Craig, Soft Like, 2021

Dreaming in Northern Cheyenne: Jordan Ann Craig

16/12/2021

Jordan Ann Craig’s exhibition reworks Northern Cheyenne quill and bead patterns, positioning them to explore space, time, our environment, and cultural memories ...

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