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- Art, Agency and a Little Anarchy
- The Kidstuff Complex: Nuremberg’s Playground Art Prize
- Erasure Speaks Louder Than Words
- Frida Kahlo Needs No Theory
- Jupiter Artland Goes National
- Time, the Edible and Artistry
- Shilpa Gupta Takes Over Milan
- The Architecture of Dreaming Buildings
- Venus, Saturn and Wet Paint
- Eight Women Return the Gaze
- Shibari and New Forms of Cultural Expression
- The Body Thinks in Colour
- The Photograph, Remade by Hand
- The Body: A Promise and a Threat
- What Euphoria Got Right About Being a Woman
- The Whispered Story of Ray Exworth
- Currin Paints a Lost Paradise
- Drawing Home From The Outside
- The Translucent Norma Jeane
- 16 Artists Hold the Light at KHG West Palm Beach
- Gut-Punched and Pulled Towards a Friend
- Art’s Great Rebel Turns 100
- Craft as Crisis Response: Shenlu Liu
- Form Without Words: Sirvon Azarm’s Circle
- Light Made Visible: Victoria Orr Ewing’s Luminous Landscapes
- London’s Photography Fair Finds Its New Home
- Capital, Myth and the Layered Canvas
- The Shifting Soil of Our Revolving World
- Photography That Refuses to Look Away
- Five Artists, One Beating Pulse
- Tjukurpa: Dreaming Bloodlines, Desert Storytelling Survives
- Matter Unbound: Tony Cragg Transforms Perception
- Love Unravelling: Art’s Turbulent Terrain
- Bound Bodies: How Tianle Zhao Sculpts Female Experience
- Post-Industrial Earth: Painting as Ecological Act
- Still Life: Photography Reclaims Rail Travel
- Art Confronts the Crisis of Disappearance
- Indigenous Voices Redefine World Photography in 2026
- Scotland’s New Art Generation Arrives
- Weiyi Chen: Labour, Land and Belonging
- The Collectors’ Table: An Evening with Georgina Adam / Trebuchet
- Drugdealer Live: LA Light in Gorgeous Songs
- miart 2026 Heads in a New Direction
- Angry? The Smiling Vitriol of Jake Chapman – Part Two
- Angry? The Smiling Vitriol of Jake Chapman – Part One
- Homecoming Tides: Art, Water and the Right to Return
- Print Culture Still Thriving in Community Arts?
- London Art Fair 2026 and the Sculpted Mind
- Cité internationale de arts- Engineering Cultural Evolution
- LUAP at the London Art Fair
- Sverre Malling Champions the Glowing Outsiders of History (Part Two)
- Ukrainian Children’s Art Heals Through Creativity
- Sverre Malling Champions the Glowing Outsiders of History (Part One)
- From Data to Empathy: Anning Song’s Research-Driven Art
- The External Domestic Worlds of Jonathan Lyndon Chase
- Shenlu Liu: Can Textiles Restore Our Lost Senses?
- Why Is Stroud Britain’s New Art Hub?
- Xinyi Liu: Does Death Give Meaning to Art?
- Xiaoping Yu: Art, Identity and Belonging
- Graham Harman Waves and Stones Review
- Why Does Stacey Gillian Abe Choose Indigo?
- Trebuchet 18: Foreign Objects / Out Now
- Emilija Škarnulyté at Tate St Ives
- Studio 55 to Open in Ibiza
- Oswaldo Maciá’s Multisensory Migratory Movements Exhibition
- Confronting Colonial Erasure at Goodwood Art Foundation 2025
- Roman Ondak Returns to Prague
- Trustee with Funding Experience Sought for Digswell Arts Trust
- Can Pour Painting Contain Meaning?
- The Mountain Goats ‘Through This Fire Across From Peter Balkan’ Review: A Bold Musical Experiment
- Kazakhstan: Close Encounters With Central Asian Culture, Contemporary Art And Post-Soviet Capitalism
- Secret Maps at the British Library: How Cartography Shaped Power, Protest and Survival
- Meet Millie Chen: London’s Emerging Artist Working with Found Objects
- Fanglin Luo’s Performance Art Reclaims Feminist Mythology Through Ritual and Identity
- This Dark Shore: Mythic Realism in the Work of Marcus Rees Roberts
- Frieze London 2025 Review: Community, Identity and Encounters Across Time
- Gilbert & George at Hayward Gallery: 21st Century Pictures Review
- Lloyd Choi Gallery and Schoeni Projects Challenge Eurocentrism at Asian Art in London 2025
- Maria Kreyn’s Hyperobject: When Contemporary Painting Meets Sacred Architecture
- Paul Sietsema at Marian Goodman Gallery Paris: Material Memory and the Weight of Objects
- Wanting Wang: Art Photography at the Threshold of Order and Collapse
- Between Myth and Modernity: The Art Practice of Jingjing Xu
- Binta Diaw: Exploring Femininity and History Through Soil Art
- Hypha Curates Launches Artist Sales Platform with Physical Exhibition Programme
- Gilbert & George: Reflections on Modernity 2025
- The Sublime Sculptures of Simon Tayler: Wooden Art for the Digital Age
- Folkestone Triennial 2025: Where Art Meets Community
- When Strangers Become Friends: Art’s Answer to Migration Debates
- Gallery of Everything, Ectoplasmix and Everyone
- David Weiss: The Dream of Casa Aprile Exhibition Opens at MASI Lugano
- 30% Summer Sale on Trebuchet Back Issues
- São Paulo Biennial 2025: How Local Perspective Reshapes Global Art
- Sara Enrico: Materiality and Contemporary Sculpture
- Navigating the Darkness: Jamie Luoto’s Psychological Landscapes
- Why Battleship Potemkin’s Call to Arms Needs New Music
- Photography Without Borders
- David Lynch: Conjurer of Dreams
- Rewriting the Constitution: Chus Martínez on Art, Community, and Democratic Imagination
- Rankin: Embracing the Absurdity
- Vesna Petresin, 1971-2025
- Juergen Teller Refactors Intimacy in Greek Retrospective
- Preston Art to Receive Massive Boost
- Berlin Art Week 2025: The Party Prepares
- Can Messages From the Future Be Hauntological?
- This Georgian Townhouse Became London’s New Asian Art Destination
- The Last Years of Pablo Picasso
- Madre: Delcy Morelos’ Immersive Installation in Dialogue with Joseph Beuys
- Whither Nigerian Modernism?
- Why the Rule of Three?
- Can Art and Music Work Together?
- Lost and Found in Amsterdam
- Money, Fame and the Future: Tate Modern’s 25th
- What Does Rankin Think About AI?
- Dancing Queen: Barbarella Brings Italo-Disco Glamour to Canary Wharf
- Do Artists Dream of Electric Stars?
- So Lonely? The Crowded Anomie of Edward Burra
- Frieze: Can it Still Deliver in 2025?
- Is It Possible to Reject Conformity?
- What’s He Building in There?
- The Artist as Modern Mystic: Chris Levine on Lasers, Pyramids, and Cosmic Alignment
- Light in the Darkness: Chantal Meza and Will Gompertz
- Can Ancient Sufi Wisdom and Contemporary Art Share the Same Frequency?
- Magical Forests Versus the Pull of Netflix: Rune Christensen
- Focus on the Future: How Photo London is Redefining Photography
- Can Artists Really Transform Space? Kaur And Sahib at Pitzhanger Manor
- Art Print: James Johnston, A Reckoning
- Fearless Friendship: Hambling & Lucas Unite For Landmark London Show
- Falsehood or Authenticity? Yang Fudong’s Ambiguous Truths
- Art Basel Recognises Nairy Baghramian and Delcy Morelos with Medals
- Can You Set New Visions Amongst The Masters?
- The Wear and Tear of Creation
- Painting the Love Lives of Paris and Basel
- Finding The Sweet Spot Between Alienation and Intimacy
- Fragments of Classicism
- Blum Gallery to Open Tribeca Space
- Found objects of the Universal
- Let Them Eat Art: Foodbank fundraiser
- Walter Spies: Tourism as Progress?
- The Incendiary Promise of Performance Art
- Are humans impossible? Pierre Huyghe
- Is art watching us watch ourselves?
- Is photography obsolete?
- Medieval Relics Display at the Green & Stone Gallery
- Trebuchet 17: Destinations / Out Now
- Greg Bromley: Out of the Shadow of Trauma
- Shadows of the Colour Black
- Trauma Realised and Exorcised: Greg Bromley’s Devil Visions
- Art Basel: Switzerland’s Most Anticipated Art Show for 2025
- Milan Art Week and miart: A city in harmony
- Reclaiming the Truth: Deconstructing colonial museums and public spaces
- Beyond suncream and selfies, Casson Mann bring Pacific island power to the halls of Bremen
- Folkestone Triennial 2025: The Dates, The Theme, The Curator, The Artists….
- A concise colloquium with Marilyn Arsem, Pt II
- ‘I have always been interested in how time operates’ — in conversation with Marilyn Arsem
- New exhibitions, much-loved works, and wild swimming: Spring 2025 at Jupiter Artland
- Dive into London’s contemporary art scene to uncover Diana Zrnic’s Hiding Place
- Teasing out the questions in the shadows: Ella Kruglyanskaya at Thomas Dane Gallery
- What can bats teach us about our AI overlords? Questions, questions, at arebyte Gallery
- Can images speak the words we struggle to voice? Chantal Meza’s Eden Bleeds
- Ken Turner: The Oldest Performance Artist In The World (probably) — Part III
- Timothy Taylor gallery brings Mexican colour to ARCOmadrid
- Ken Turner: The Oldest Performance Artist In The World (probably) — Part II
- Canvas, cobbles and canals: Amsterdam Art Week 2025
- Ken Turner: The Oldest Performance Artist In The World (probably)
- What waves banners of protest? The breeze or the breeze block?
- Can you feel a landscape’s rhythms? Tarek Atoui and the echo of improvisation
- Miart — International modern and contemporary art in Milan
- Where’s My Art Collection Money Going? Artscapy answers
- Esra Kizir Gokcen: Sail to Hope — reaching past the slogans to the humanity beyond
- Art Cairo announces artists for 2025
- Will all post-Zuckerberg irony be this wicked? Sorry about the mess
- Can you really paint a metaphor? Anselm Kiefer’s early works may have the answer
- Night rides through James Johnston’s Trebuchet print ‘The Passenger’
- Can art change tech (for the better)? Nxt Museum presents Still Processing
- Shaking off winter on York Street: Experimental film, multidisciplinary installations and snow globes
- Linea Naturalis — Has hippie woo-woo finally achieved therapeutic maturity?
- Two years of spectacle in the Italian Alps. Is this art set in a dream?
- Wanna buy art? Exclusive signed LUAP print only from Trebuchet
- Where are your stuffed animals? Soup London’s ‘Welcome To The Island Of Misfit Toys’ Is A Masterclass In Childhood
- Where does Taylor Swift meet the mythic? Ask psychoanalyst Jamieson Webster
- The Oracle; Ljubljana Biennale announces high-concept theme for its summertime graphic arts extravaganza
- Is this where artists learn to launch and collectors seize their bitcoin moment? London Art Fair
- From grids to metal towers, the radical evolution of Phyllida Barlow’s rabbit ears
- Can a pink bear change its hue? LUAP paints portraits of the psyche
- Surreal interplanetary artist Jonathan Baldock set to bring queer historicity to Jupiter Artland 2025
- Acucar, Exuberance, Samba and Slate: Vanessa da Silva at Mostyn 2025
- Spirituality, Vibrancy, Light — Ann Tracy in Lucerne
- New Celia Paul Works at Victoria Miro Gallery
- Borrowed Light: Cerith Wyn Evans at Centre Pompidou, Metz
- The End of Ritual: María Berrío at Victoria Miro Gallery
- Shimabuku: Art with a twist of octopus and limes
- Art Profile: Dr Apinan Poshyananda
- The Tourist Mindset: Michael Schindhelm’s Roots
- There’s Pigment and there’s PIGMENT TOKYO
- Ancient to Contemporary: A Comprehensive View at Frieze 2024
- Trebuchet 16: Art & Psychology / Out Now
- Abe Odedina: Magical Realism Across Borders at the British Art Fair
- Chantal Akerman: Channelling Murderous Resentment
- Thought-Provoking Sound and Vision in a Celebration of Sufi Art (Paris)
- Marian Goodman Gallery Spreads Wings in New York
- Pointing the Finger: Daria Blum
- Established Names, Emerging Talent: Photoworks Weekender and Photo Fringe at Brighton
- Disinformation Presents ‘National Grid’ at the Farsight Collective
- New Life to Ancient Vistas: XNL Aperto Showcases Contemporary Italian Art
- Epiphany in Bermondsey: Patricia Dominguez
- As Above, So Below: R.I.P Germain At FACT Liverpool
- Haunting Beauty, Exuberant Imagery: WarholMania and the Lost Archive
- Footwork, Humour, and the Coolest Club Night in London
- From One Underground to Another: The Wolfboy of Rego Park
- Albumen Gallery to present at Unseen Amsterdam 2024
- Chantal Meza: The State of Disappearance, at University of Bath
- A Night in Provence — Une Chambre à Soi Group Exhibition at Château la Coste
- Michael Schindhelm opens ROOTS in Basel
- Psychedelic Search Histories — Nokukhanya Langa and Bruce Nauman at Saatchi Yates
- Is it time for Art-Pop with something to say?
- Bringing Water to the Well — Frieze Announce 2024 Funds
- Colour, Sound, and Choreography — Jean Tinguely in Milan
- Vulnerability, Resistance, and Uncomfortable Questions — Tonia Nneji and Jamie Luoto, Berlin
- Hardcore in Excelsis — Mr Bungle in Manchester
- Biennale Gherdëina 9:Thinking Like a Mountain
- Mothers — Laura Langer at Ilenia
- Magnus Renfrew: Curating Tokyo Gendai
- Amsterdam Art Week: Contrast and Delight
- CAN Ibiza Art Fair: Cultural Heritage and Contemporary Art
- Bringing Radical Impermanence to the Institution: Megan Rooney at Kettle’s Yard
- Dance to the Rhythm of My Soul at Nairobi National Museum
- Actions and journeying with Jill Smith on the Outer Hebrides
- On the Female Birthday Suit’s Autonomy from Perversion
- Nightingale Songdreaming — Sam Lee Brings the Wild to Hackney
- Reportage and Resistance from Ken to Khan: Shanti Panchal and the London Landscape
- A Legacy of Smiles—LUAP at Altonaer Balkon, Hamburg
- The Home and the Heart — Apart at Last
- Exhibition City: London Gallery Weekend
- The Art Assembly Presents Tokyo Gendai 2024
- Art Against Oblivion
- Painting the Fourth Wall — Miranda Donovan at Woolff Gallery
- Constructing Light
- The Unbearable Reward of Art: LUAP
- Cracking Aural Amnesia
- Destilacija [RMZ-24] Video Premiere
- Photo London at Somerset House
- Moonlight Flitting Dreams: Veronica Smirnoff
- Life by Extension
- In the Eye of the Storm—The Race to Save Ukraine’s Art Treasures
- Transformative Voids
- Uncarved Block, Unbleached Silk: Meeting Point Project
- Surface Tension: Alienation is the New ‘Touch’
- At What Point Do We Begin to Feel?
- Structures and Disorder
- Art Through Time: Alon Zakiam Gallery
- The Manufacture of the Modern World
- A Crisis of Mortality: Georg Baselitz
- Art’s Dividing Line
- Chronos: Maria Kreyn
- Trebuchet Podcast 15 – Art and Ecology
- Beyond the Specific Object
- Objects of Desire: Annette Messager
- Souvenirs Sans Frontières
- News-Based Installations
- Venice Biennale 2024: Gail Olding
- A Confession of My Sins: Georg Baselitz
- Andres Serrano: Beyond The Pale
- Inversions of Nature: Giuseppe Penone
- Spectacle’s Grip
- The Time of the Book
- Dispossessing Art
- Digital Renaissance
- Installations as Theatre
- Art on a Postcard – War Child Auction
- Bids For Survival: Michael Schindhelm
- Shadow Ban: Illuminating Liminal Spaces
- Enchanted Visions
- Trebuchet 15: Installation Art / Out now
- Spiritual Truth and Female Bodies: Marck
- The Concrete Ethereal: Keiko Kimoto
- Embracing the Bold: Waran’s Fine Art
- Colony Room Scenes: Peter Clark
- The Light of James Johnston
- Set in Stone? The Future is Female
- An App for Art: Fair Art Fair
- Amass: Rune Christensen
- Playground Videos: Marck
- Family Ties: The Hudsons
- However We Saw The Same Star: Kim Jungman
- A Wearable Art: Eloise Holmes
- Hanging Offence: Jessica Phillimore
- Frescoes & Faces
- Amongst Wonder: Dürer to Warhol
- Reflecting Lakes and Spirit Vessels: Thomas Huber
- The London Jazz Festival Opens
- The Gift of Surprise in the Community
- Killer, Crime and Faith: Simon Bonney Interview
- Art & Ecology: Out Now
- Exhibited Histories of Erasure
- Spatial Views of Abstraction: Sinta Tantra
- Seismic Art: Visions of Science
- Epistrophies and Heads: Tony Bevan
- Deep Craft: Ecology and creation in folk-inspired art
- Cultural Ecology: Contemporary Art in Marrakech, IZZA
- Meta-Narrative Photography: Matt Saunders Interview
- Love, Longing and Desire: Fatima Ronquillo Interview
- Diversity and Richness: Frieze 2023
- Trebuchet Tips: Frieze Week
- Permeability and Reincarnation in Thao Nguyen Phan
- Wisdom Totems: Lauren Baker
- Arrival in Baksi, Discovering Responsibility, Art and Vuslat’s Turkish Emanet
- Queer Blues
- Alva Noto’s Opulent Soundscapes
- Power Up! Radical Community in the Sustainable Service of Art.
- Devil’s Teeth, No Repeat: The Book of Peter Murphy
- Rendering the Invisible Playful: Jo McGarry
- Jungstötter’s One Star
- Celestial Art: Gail Olding and Trina Bohan
- Urban Lineages in José Parlá
- D_ance for the Disappeared
- On The Question Of AI Imagery
- Technical Ecstasy: Aubrey Williams
- Trebuchet Talks x October Gallery: Ecology
- In Pictures: The Mars Volta
- In Pictures: Teri Gender Bender, Troxy, London
- I Don’t Care for Images: Charlie Schaffer
- Social Photography: Markéta Luskačová Interview
- Remote Freedom: Vuslat Sabanci’s Emanet
- Palermo Mon Amour: Fondazione Merz
- Trebuchet 13: Photography
- The Life in Portraits: Charlie Schaffer
- A Snap: Photo London 2023
- Chaos and Form: Angela Heisch
- Septuplet: How Art Can Nurture Radical Urban Immersion
- Inside: Intercorporeality of Art and Architecture
- Paintings of Healing and Dreaming
- Wheels of Time, Human Spaces: Gabriel Orozco
- Fragile: Tewodros Hagos
- Art Print: Peter Van Dyck
- The Human Menagerie: James Johnston
- Who Laughs Last: Killing Joke 100 club
- Carrying life: Motherhood and Water in Malawi
- Breaking down Hierarchy
- Do We Need a New Definition of Violence? Brad Evans on Art and Technology Pt 2
- EXCLUSIVE: Amon Tobin Premieres New Video
- Do We Need a New Definition of Violence? Brad Evans on Art and Technology
- Inside Out, the Pop Power of Siena Barnes?
- Tai Shani on Power, Story and Reality Pt. 2
- London Art Fair 2023: Preview
- Interdimensional Craft: Gerry Rafferty and Ásgeir
- Tai Shani on Power, Story and Reality
- Trebuchet Art Print: Chantal Meza
- Tumults of Aquamarine: Lulu Bennett
- History Discovered: Robert Bowman
- The Audience and the Work: Joël Andrianomearisoa
- Colonialism, Audience and Art’s Ability to Teach
- Make Better Music 82 : Online Piano Lessons
- Gavin Turk’s Reimagining of Richter
- Trebuchet 12: Realities Mitch Griffiths Cover
- Realist Modes of Process
- Frieze 2022
- Image Junkies
- Tony Cragg’s Incidents
- James Turrell and Lalique Collaboration in Crystal Light
- Me, My Brain and I: Charity Auction
- Tavares Strachan In Total Darkness
- If Only These Walls Could Talk: Maryam Eisler
- Nick Cave Signs East: Live Review APE
- Majesty: A Tribute to the Queen
- Walking into Modernity
- Geometry, Dreams and Parables: Nazir Tanbouli
- Art is like a Love Affair: Tina Grønning
- Alternative Possibilities: Céline Condorelli
- The Vision of Enter Art 2022 by Kirsten Eggers
- Child in Time: Sculptor Emily Young
- Tranquil Voyage
- The Concrete Uncanny: Jeff Muhs, Part two
- The Concrete Uncanny: Jeff Muhs
- Routes of Life, Ghosts of History
- A Simple Feast: Kristof Santy
- Forever Changed: Various Giant Artists
- Black Sabbath Rest: Heavy Metal’s Creation Myth
- A Direct Encounter: Coco Capitán
- From Here to Where? Michael Kagan
- A Space We Share: An Interview with Nico Marzano
- The Discipline of Inspiration: An Interview with Samuel Andreyev. Part Two
- Iron & Light: Bob Dylan
- The Discipline of Inspiration: An Interview with Samuel Andreyev
- The Risks of Abstraction: Orlanda Broom
- Talbot Rice Gallery announces After Work with Céline Condorelli
- The Optics and Shine of Chris Levine Pt 2
- The Optics and Shine of Chris Levine
- Safety in Michael Rumsby’s Nature
- The Unquenchable Fire of Killing Joke
- Blood on the Tracks: Bob Dylan
- Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 2
- A Band Beyond Definition: Billy Strings
- A Conversation Between Body & Object: Lee Ufan
- Cultural Messengers: Midnight Oil Keep Burning
- Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 1
- Hope and Myth in Mitch Griffiths’ Immortal
- Ghost Like Traces: Between the Ephemeral & the Permanent
- The Knight Divided, Nature Interrupted
- Music from Weird Masses: Jarboe
- The Being Beyond Feeling: Peter Van Dyck Pt 2
- The Being Beyond Feeling: Peter Van Dyck Pt 1
- Faces of Consequence: Tae Kim Pt 2
- History and Appropriation: Oh Myung Hee
- New Folk for Old Tunes: Richard Thompson
- undo undo undo: Vivien Zhang
- Fire and Guitars: The Undertones
- Faces of Consequence: Tae Kim Pt 1
- People, History, Paint: The Rise of Gisela McDaniel Pt 2
- Sunphase: Aubrey Williams
- People, History, Paint: The Rise of Gisela McDaniel Pt 1
- The Crossroad Blues and High Vantages of Oli Kellett Pt 2
- Ploughing Landscapes: Rachel Rose
- The Crossroad Blues and High Vantages of Oli Kellett Pt 1
- Nothing About Us, Without Us: Active Bodies at the ICA
- What is Sculpture? Nairy Baghramian
- Cinematic Horror’s Punk Revival: Bunuel
- Inside Our Nostalgia: Eleanor May Watson
- Everything is in the Artist’s Favour: Danny Casale
- Trebuchet 11: Cover Artist Nairy Baghramian
- The Empowered Salon of the Queer
- Faces & Fame: Anton Corbijn
- The Politics of Genre: Shahzia Sikander
- The Serenely Uncanny Sound of Destruction: Foster Neville
- The Beauty of Packaging
- Hard Fast Love: Gail Olding
- Memories of a Warrior: Chaz Guest
- Curatorial Frequencies: Jade Foster
- The Wind, Bells, Falls of Lee and Bertucci
- Kings Never Die: Christian Boltanski’s Esprit
- Bengi Ünsal Named as New Director of the ICA London
- Hark the Nordic Sirens of Hypnotic Cinema
- “Nothing is Pure”: Jock McFadyen
- Water & Working-Class Women: Jill McKnight at VITRINE
- Poetry in the Precision: Jordan Ann Craig
- The Estorick Collection Announces Bice Lazzari Exhibition
- Cinematic Drawings: Marie Harnett
- Primordial Whispers at Arusha Gallery
- Creative Contemplation: The Feelings Library
- Dreaming in Northern Cheyenne: Jordan Ann Craig
- Chanting Guitars and Dusk Distortions: Bossk
- Bulk & Absence: Daniel Crews-Chubb
- Velvet Layers of Sound: DVNE
- Thaddaeus Ropac Presents Solo Exhibition by Rachel Jones
- Street Art or Collectible Commodity?
- Sour-Puss and their ‘Strange Journey’
- 19.20.21: Kaoli Mashio at CASSIUS&Co
- Expanding Art Narratives: Jumoke Sanwo
- Creativity Takes Courage: Eugene Ankomah
- Jungle Rapture: Peppi Bottrop at Pilar Corrias
- Walking Jazz in Soho
- Black Sabbath Hate Witches
- The Perfumus Affair: Art Inspired by Fragrance?
- Art Objects: Martha Freud
- Means of Escape: Sarah Morris at White Cube
- Celestial Light: Mark Batty
- Painting New Perspectives: Joy Labinjo
- Standing on the Threshold
- Subversive Women: Prudence Flint
- Dark Ecology and Eremozoic Visions: Jim Naughten
- Kraftwerk Berlin Announces Robert Irwin Installation
- Cross My Heart: Franko B
- Victoria Miro to Open Solo Show by Paula Rego
- Art, Activism & Architecture: Sofia Karim
- Houghton Hall Opens Solo Show by Chris Levine
- Loitered Lens: Ferocious Dog
- Frieze 2021: The Return!
- Boobs, Boy Bands & Tentacles: Frieze London 2021
- The Duality of Cloth: Crystal Fischetti
- Beyond the Physical: Imogen Allen
- Windows: The Artist Room’s Inaugural Exhibition
- Picasso or Pepe: Wanna buy an NFT?
- Blowtorching Peaches Creating Chaos: Heather Phillipson
- Eat It Now: The New Immaterialism
- ‘You Are Here’ at Pippy Houldsworth Gallery: Wangari Mathenge
- Brotherly Hate: The Dread Archetypes of Kane & Able
- Life is a Performance: Cassils
- Spray Paint with Sickboy
- Signature African Art Presents Solo Exhibition by Giggs Kgole
- Painterly Romance: Amy Beager
- Freakscene: The Story of Dinosaur Jnr
- Value in Context: Art in the Public Realm
- Rewriting the Canon: Christiana Ine-Kimba Boyle
- The Hopefulness of Colour: Annie Morris
- The Shape, Sound and Feeling of Words: Ed Ruscha
- Simone Leigh at Hauser & Wirth, Zurich
- Marina Abramović Opens Two Shows in London
- A Bright Chapel: Mark Hinchliffe
- Taking the Exclusivity Out of Art: Thorp Stavri
- Nick Cave and Warren Ellis’ Gospel Carnage
- Flash Nails and Glamour: SYRETT
- The Power of (In)visible Community
- Michael Werner Gallery to Present New Paintings by Florian Krewer
- (Text)ural Works and Abstraction at Enter Art Fair
- The Suitability of Neon: Cerith Wyn Evans Interview
- Abstract Beauty: Ellen Carey
- Grove Square Galleries Presents Debut Exhibition by Elena Gual
- Courting the Forest of History
- The Weight of Canon
- Ed Atkins: “A Weird Faking of Imminence”
- Intimate, Wild, Raw: Karla Black at Fruitmarket Gallery
- Celebrity as Material
- Modern Mythology: Sofia Mitsola at Pilar Corrias
- Alberta Whittle: “I Felt the World Unravelling”
- LAMB Gallery Exhibition to Explore our Relationship to Objects
- Lisson Gallery to Exhibit Rare Paintings by Anish Kapoor
- Repetition is Endlessly Renewing: Edmund de Waal
- Upset in Stone: Barbara Segal
- The Performer and Audience Create the Work Together: Marina Abramović
- Unstructured, different, wild: Art collecting Martin Nielsen
- Barbara Kruger’s “Anti-Retrospective” at Art Institute of Chicago
- Grove Collective Launches Solo Exhibition by Manuela Karin Knaut
- Rebellious Joy: Huntley Muir
- The Photographic Night: Sarah Jones
- Revolving Around Art: Claus Busch Risvig
- The Small Infinite
- Whipping Water: Anne Imhof vs. Hate for Hate’s Sake
- Portraits of the World: Bruce Atherton
- Channel Switching: Dara Birnbaum
- Bomb Factory Opens Solo Exhibition by Ken Nwadiogbu
- Meet the Anonymous Street Artist Jerkface
- Timothy Taylor Gallery Presents its Annual Group Exhibition “IRL (In Real Life)”
- Shannon Cartier Lucy: Sensual Imagery
- New Museum Announces its Summer Programme
- Fluid Creativity: An Interview with Tesfaye Urgessa
- Special Interest: New Orleans Noir
- Hauser & Wirth Menorca to Open with Exhibition by Mark Bradford
- Traversing Time: An Interview with Sutapa Biswas
- Rethinking Nostalgia: An Interview with Paulina Olowska
- Art for Life’s Sake: A Retrospective of Pioneering Feminist Artist Hannah Wilke
- Intersectional Accessible Forever Alive: Keith Haring
- The Contemporary Art Society Opens a Pop-Up Shop in Mayfair, London
- Musical Adventures for an Opening 2021.
- Directing Enter Art Fair
- Material Transformation: An Interview with Holly Hendry
- Bridget Riley: Past into Present
- Tahnee Lonsdale: Painting Vulnerability
- Neunau: Sound Art from Ancient to Modern
- Rafael Pérez Evans: Perishable Art
- Platform: A Digital Marketplace by David Zwirner
- Wabi-sabi: The Beauty of Imperfection at Kristin Hjellegjerde Gallery
- A Year of Georg Baselitz Exhibitions
- Concrete Art 2: Number As Material
- Slithering Through Self-Discovery with Leon Vynehall
- Henry Taylor at Hauser & Wirth, Somerset
- Ryoji Ikeda Exhibition to Open at 180 Studios, London
- Concrete Art 1: Colour As Material
- Trebuchet Podcast 14 – Surrealism with Benji Reid
- White Cube Presents Julie Curtiss’ First London Exhibition
- Hardeep Sahota: Illuminating the Art of Dance
- Cultured and Combined: Gilbert & George on Identity
- Rachel Whiteread: Symbolism & Storytelling
- Linear Expression: George Condo at Sprüth Magers, Berlin
- Reflections, Refractions and Perspectives through Dylan Martinez
- Monkey Business: Luc Tuymans at David Zwirner
- Evanescent Imagery: Precarity and persistence in Gerhard Richter’s paintings
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- Blood Tracks Through Art: Hermann Nitsch
- Rachel Maclean’s Fantasy Worlds at Jupiter Artland
- Drawing With Dust: History, Time and Place in Tacita Dean’s Chalk Drawings
- Heart of the Matter: Female Artists at Gillian Jason Gallery
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- The Fluid Sculptures of Richard Stone
- Two Major Solo Exhibitions Celebrate the Work of Sutapa Biswas
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- The Body as Material: An Interview with Annegret Soltau
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- IN-FLO-RES-CENCE: Music as an Art Object
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- Interviews on the Influence of Sol LeWitt
- Laura Aguilar at Leslie-Lohman Museum of Art
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- Big Star Falls in We Travel Time
- State of the Art with Lorenzo de Medici
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- Drawing Eccentricities: An Interview with Sverre Malling
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- Barbara Macfarlane: Land Marks
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- The Edge of Perception: An Interview with Kenturah Davis
- Isles, The Electronica We Needed This Pandemic
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- Richard Saltoun Gallery Launches Hannah Arendt Programme
- The Fresh & Weird Creative Energy of New Contemporaries
- Tate Modern screens Shirin Neshat’s 1999 film ‘Soliloquy’
- Holiday Song: Jim Sclavunos Supports Endangered Venues With Masterpiece.
- Larry Achiampong: Relics of Time
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- Trebuchet Podcast 13 – Surrealism with Barry Adamson
- Philip Guston’s Restless Creativity
- Digital Art & Animation: Seeing the Past Through the Present
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- Trebuchet Podcast 12 – Levitating Nanoparticles with Dr James Millen
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- Rear View: Voyeuristic Images at White Cube
- Jean Dubuffet: Brutal Beauty
- Southbank Centre Present First Digital Unlimited Festival
- Credit Opens the Doors to London’s Emerging Art Scene
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- British Library Acquires Unique 15th Century Lucas Psalter Manuscript
- Black, Indigenous, and Loud
- Major Eileen Agar Survey Announced for February 2021
- Shot To Fame: Remembering Terry O’Neill
- Rare Picasso Platter Set to Make UK Debut
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- Street Artist Pipette Painting Inspired by Cancer Research
- New Online Play by London Poet Draws on the Life of Basquiat
- Asia-Art-Activism Launch New Collective Programme
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- House for Martians Brought to Life by Bristol Artists
- Cathrin Hoffmann Debut Solo Exhibition
- Jade van der Mark: We’re All Human
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- Perrotin Gallery Launches Art Treasure Hunt in Paris
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- The Last Faust Gesamtkunstwerk
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- ARTCRY Launches to Support Urgent Artistic Responses
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- Trebuchet Podcast 7 – Time & Space w/ Jordan Baseman
- Trebuchet Podcast 6 – Time & Space w/ Alex May
- Trebuchet Podcast 5 – Acclaim in Underground Comics
- Trebuchet Podcast 3 – Street Art in a Lithuanian Youth Prison
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- Researchers Turn to Art for Clues About Changing Fruit and Veg
- In Bright Axiom: The House of the Latitude
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- Kraftwerk’s Home Computer Gets Video Makeover
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- Gorillaz Celebrate 20-Year Visual History With Graphic Annual
- Black Sabbath: Walpurgis 1970
- UK’s Specialist Arts TV Channel Saved From the Chop
- Nevada Museum of Art Acquires Judy Chicago’s Full Fireworks Archive
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- Sixth Hong Kong Human Rights Arts Prize Awarded to Kam Wa Magus Yuen
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- The Art of Banksy Comes to London
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- Frank Carter’s 900 Days of Chaos
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- Hunter Potter Debut UK Solo Exhibition
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- Teiji Hayama London Solo Debut
- Major Solo Exhibition for Basil Beattie RA
- New Show Examines the Concept of Them
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- Mixed Media: The Christmas Song of Emily Maitlis & Fiona Banner
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- Henry Hussey, We Live in the Remains of the Gods
- Shextreme Film Tour Goes Nationwide
- VIA Arts Prize Exhibition 2019
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- The Dance of Death: A Vanitas
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- Rock And Roll Part ?? – The Struts Resurrection Of Glitter
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- The Platform Graduate Award 2019
- Mark Leckey: O’ Magic Power of Bleakness
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- American History X volume III, Manifest Decimation
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- Lost In The Trees: 2000 Trees 2019
- TRA: Desert Island Discs
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- Inside Out Festival Opening the Door to Art in Care Settings
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