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Tell my mother not to worry (ii), Ryan Gander, 2012. Courtesy Privatsammlung UK. Photo: Ken Adlard

Can Messages From the Future Be Hauntological?

18/07/2025

Broad, historic perspectives on how artists have been compelled to capture the uncanny and unseen...

Pablo Picasso, Le joueur de cartes II (The Card Player II), 1971

The Last Years of Pablo Picasso

14/07/2025

PoMo Trondheim presents works from the last decade of Pablo Picasso's life. ...

Madre: Delcy Morelos’ Immersive Installation in Dialogue with Joseph Beuys

10/07/2025

A preview of Madre, Berlin 2025, by installation artist Delcy Morelos...

Lost and Found in Amsterdam

27/06/2025

Why getting lost in Amsterdam Art Week might be the only way to find what matters...

Steve McQueen Year 3 at Tate Britain © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. Photo © Tate_main

Money, Fame and the Future: Tate Modern’s 25th

26/06/2025

£43 million secured to launch Tate's endowment fund, but why? ...

Visitors,collectors walk past Ai Weiwei installation at Frieze Masters 2023 International Arts Fair in Regent's Park, London,UK

Frieze: Can it Still Deliver in 2025?

12/06/2025

The mammoth art fair is set to return but can it cut it in a troubled art economy? ...

Magical Forests Versus the Pull of Netflix: Rune Christensen

27/05/2025

An interview with Rune Christensen on painting and inspiration...

This picture was taken on Lee Miller's her first assignment in Europe covering the war. The piece which was written and photographically illustrated by Lee was published in British Vogue, titled ‘Unarmed Warriors’ and in American Vogue as ‘USA Tent Hospital in France’. Her opening lines are striking and show how close she still felt to the country she had lived in over 10 years before; ‘As we flew into sight of France I swallowed hard on what were trying to be trying to be tears and remembered a motive actress kissing a handful of earth. My self-conscious analysis was forgotten in greedily studying the soft, grey skied panorama of nearly a thousand square miles of France... of freed France’ - British Vogue, September 1944.

Focus on the Future: How Photo London is Redefining Photography

25/05/2025

A review of Photo london 2025 ...

Lothar Jeck, Portrait Irène Zurkinden (1909–1987) with drawing board, 1942. Photo: Staatsarchiv Basel-Stadt, BSL 1060c 3/8/319

Painting the Love Lives of Paris and Basel

14/05/2025

Basel retrospective of artist Irène Zurkinden (1909–1987) at KBH.G...

Diana Zrnic, 'Just Past the Hour', 2024, photo by Ewan Kerr

Finding The Sweet Spot Between Alienation and Intimacy

13/05/2025

A review of Zagreb-based artist Diana Zrnic’s, Hiding Place...

Blum Gallery Opening. BLUM New York's facade

Blum Gallery to Open Tribeca Space

11/05/2025

Blum Gallery to open New York space sept 10th 2025...

Pierre Huyghe, Camata II (Film Still) 2024.

Are humans impossible? Pierre Huyghe

05/05/2025

A preview of Pierre Huyghe's 2025 In Imaginal exhibition at Marian Goodman Gallery, New York...

Image Flower Brick Reliquary, Julia Albertrecht 2025

Medieval Relics Display at the Green & Stone Gallery

30/04/2025

The Green & Stone Gallery presents an impressive display of Medieval-inspired pieces....

Image shows painting by Anselm Kiefer (b. 1945) Wald (Forest) , 1973–74 Watercolour on paper, 17 x 24 cm Hall Collection. Courtesy of the Hall Art Foundation. © Anselm Kiefer. Photo: Adam Reic

Can you really paint a metaphor? Anselm Kiefer’s early works may have the answer

20/01/2025

The Ashmolean Museum, University of Oxford, presents a landmark exhibition of German artist Anselm Kiefer....

Image shows a range of paints for sale at PIGMENT Tokyo

There’s Pigment and there’s PIGMENT TOKYO

17/10/2024

An interview with Tokyo’s iconic colour purveyor....

Marian Goodman Gallery Spreads Wings in New York

27/09/2024

Marian Goodman Gallery opens its new headquarters in Tribeca, New York, on 26 October 2024 with Your Patience Is Appreciated: An Inaugural Show....

Poster for Une Chambre a Soi at Chateau La Coste

A Night in Provence — Une Chambre à Soi Group Exhibition at Château la Coste

21/08/2024

A new group exhibition that tells the story a nocturnal experience through a rhythm of works exploring dreams, nightmares, insomnia and more....

From left to right: Eva Langret (Artistic Director of Frieze London), Martin Clark (Director, Camden Art Centre), Freddie Powell (Founding Director, Ginny on Frederick), Jack O'Brien (Artist and winner of Camden Art Centre Emerging Art Prize 2023), Nicole Yip (Chief Curator, Nottingham Contemporary), and Gina Buenfeld Murley (Curator, Camden Art Centre). Photo Courtesy of Linda Nylind and Frieze

Bringing Water to the Well — Frieze Announce 2024 Funds

06/08/2024

A series of initiatives and acquisition funds that continue to bolster the UK arts ecosystem, emphasising Frieze's role in championing and nurturing the wider cultural landscape...

Kengo Kito, cartwheel galaxy, 2020. Acrylic, glitter, glass, spray, cotton, cloth, vinyl on canvas. 194 x 589 x 6cm. Photo by Shinya Kigure. Courtesy of MtK Contemporary Art

Magnus Renfrew: Curating Tokyo Gendai

07/07/2024

An interview with art doyen Magnus Renfrew...

A mural painted by Megan Rooney at Kettle's Yard, Cambridge

Bringing Radical Impermanence to the Institution: Megan Rooney at Kettle’s Yard

01/07/2024

A three-week residency in Cambridge sees Megan Rooney bring all new large-scale works on canvas, a series of dance performances and a site-specific mural painted directly onto the walls of Kettle’s...