| News

The Human Menagerie: James Johnston

Luminous and mythic paintings of the Ur consciousness. A preview of James Johnston‘s 2023 Exhibition the Human Menagerie

Long Distance Acrylic on 61cm x 76cm canvas. 2023

The raw paintings of James Johnston (1966) capture something archetypal, medieval and psychological about the humble human.

Artist’s have often used symbolic elements to heighten the dramatic elements within our lives, in Johnston’s case his expressive, saturated and luminous use of paint creates deep wells for the viewer to fall into. Ironically, a term that is rarely used in art circles, and if used then aimed disparagingly as a faint compliment, is imaginative. But in this case it truly and sincerely applies. From the tantalising images shown ahead of the exhibition Johnston has become more confident and refined in his approach, as well as less concerned with the potential echoes toward the iconoclasm of Blau Reiter or Van Gogh. The work speaks for itself, gathering the audience around gripping stories of narrative entropy; scenes and characters worn down to their essential forms, brushed aside perhaps, but unforgettable.

Reflection Acrylic on 76cm x 61cm canvas. 2023.
James Johnston, Reflection, 2023.

Exhibition Notes: James Johnston – The Human Menagerie

James F Johnston’s latest solo show ‘The Human Menagerie’ at Fitzrovia Gallery brings together a striking collection of new and recent work on canvas, paper and wood. Peopled by animals and haunted figures, the work reflects both an expressionistic theatricality and a love of symbolist northern landscape painting. The natural world made unnatural.

Also included in the show are collaborative wooden sculptures made with renowned sculptor Corin Johnson.

Piano LessonAcrylic on 101cm x 76cm canvas. 2023
James Johnston, Piano Lesson, 2023

James Johnston – biog.

Born in 1966, painter and musician James Johnston has primarily been known for his work as a musician -with his own band Gallon Drunk,  as a former member of Nick Cave and the Bad Seeds, and more recently for his work touring and recording with PJ Harvey.

Johnston’s turn to figurative painting initially began with working small scale in hotel rooms on tour, and as a reaction to writer’s block, subsequently becoming his primary focus as a daily studio practice.  His paintings are both bold and loose, and marked by their rich and striking use of colour. The often unsettling, totemic, and darkly humorous images are based between the everyday and the world of the imagination, grounded with a sense of simplicity and beauty. A prolific painter, exhibiting in group and solo shows, his work has been used on book covers, as album artwork and featured in a variety of international arts publications, with paintings in the collection of the University of Chicago in Paris.

“A remarkable gift for loose, raw painting… that straightaway imprints itself on the viewer’s imagination” – The Economist.
“Paintings full of mythic power.” – Nick Cave

Subscribe to Trebuchet to receive the exclusive James Johnston Subscriber Print

The Human Menagerie: James Johnston
June 6-11 2023
Fitzrovia Gallery. 139 Whitfield St. London W1T 5EN 

Private view June 6th. 6pm.

Long Distance Acrylic on 61cm x 76cm canvas. 2023
James Johnston, Long Distance, 2023.

Images courtesy of James Johnston and Fitzrovia Gallery. © James Johnston

Related articles

The Human Menagerie: James Johnston

Comments Off on The Human Menagerie: James Johnston
Luminous and mythic paintings of the Ur consciousness. A preview of James Johnston‘s 2023 Exhibition the Human Menagerie

Big Star Falls in We Travel Time

Comments Off on Big Star Falls in We Travel Time
The giant shifts in chords and sonic layers creates classical headspaces and feels orchestral in its depth and shifting subtlety. We travel Time

We Travel Time: James Johnston and Steve Gullick

Where music and visual art meet. The talents of Steve Gullick and James Johnston combine on We Travel Time to poignant effect.

Gallon Drunk [Interview]

Comments Off on Gallon Drunk [Interview]
In the late afternoon, on the last day of winter, James Johnston and Trebuchet’s Kailas caught up to talk over the reinvigoration of Gallon Drunk and the ghosts of the past.

Comments are closed.

Our weekly newsletter

Sign up to get updates on articles, interviews and events.