Trebuchet Magazine, Author at Trebuchet

A Bright Chapel: Mark Hinchliffe

15/09/2021

What makes someone collect art? What vicious need for beauty and meaning compels them to cast all other considerations to the winds and trek around the world to discover that next new passionate...

Flash Nails and Glamour: SYRETT

08/09/2021

The challenge of SYRETT is that it feels punkish and out of step with what we’re used to seeing within contemporary art. Good....

The Suitability of Neon: Cerith Wyn Evans Interview

01/09/2021

Interview with the conceptual artist, Cerith Wyn Evans who embraces the use of neon as a medium of immanent exchange....

Courting the Forest of History

25/08/2021

Interview with mixed-media artist Gerald Chukwuma on Eve of his exhibition Eclipse of the Scrolls. ...

Upset in Stone: Barbara Segal

26/07/2021

Experimental sculptor Barbara Segal on luxury, commodity, and change in her work. ...

Unstructured, different, wild: Art collecting Martin Nielsen

23/07/2021

An interview with maverick art collector Martin Nielsen...

Rebellious Joy: Huntley Muir

19/07/2021

Interview with creative duo Huntley Muir on the setting of comment in multimedia work. ...

Revolving Around Art: Claus Busch Risvig

16/07/2021

Interview with Danish Art Collector Claus Busch Risvig...

Foteini by Bruce Atherton 2017, 90 x 130cm, Oil on Canvas

Portraits of the World: Bruce Atherton

12/07/2021

Painter Bruce Atherton on style, presence and portraiture. ...

Channel Switching: Dara Birnbaum

08/07/2021

Interview with pioneer video/media artist Dara Birnbaum. ...

Cultured and Combined: Gilbert & George on Identity

28/04/2021

Individuals have multiple identities and not all of them are self-ascribed; even the same identity can have differing social characteristics...

Reflections, Refractions and Perspectives through Dylan Martinez

21/04/2021

Whether through the physiology of sight or the psychology of the mind, I use glass as a mechanism of blurring those functions. - Dylan Martinez...

Blood Tracks Through Art: Hermann Nitsch

07/04/2021

As an artistic material blood has long been considered too powerful for use, as blasphemy, and often prosecutable. Hermann Nitsch knows this. ...

Take Me To Your Dealer and Save: Who is 241247?

25/03/2021

An interview with 241247 / Dario Vigorito about using his creative process for chaos and meaning. ...

Richard Stone, The Rapture (After Henry Moore),2019

The Fluid Sculptures of Richard Stone

24/03/2021

Stone suggests almost endless textures and characteristics, requiring time and study to find the complementary partner to the artist’s vision...

Expensive Materials

17/03/2021

To what extent do materials dictate the end price of the artwork?...

Matt Berninger - Serpentine Prison - Limited Edition Print

Trebuchet x Matt Berninger (The National) Ltd. Edition Print

16/03/2021

Trebuchet and Matt Berninger (The National) collaborate on a limited edition print in celebration of the deluxe release of Serpentine Prison...

Things: Gail Olding

10/03/2021

An excerpt from Trebuchet 9 : Materials. Conceptual Artist Gail Olding on the use of things. ...

Invisibility and Everything to All: Gavin Turk

05/03/2021

I think one of the interesting things about art as a project for me, is that I am trying to chase down ideas of reality or truth. Or the human condition...

Tahnee Lonsdale, Stick Bearer, 2020. Archival pigrment print on Smooth Rag 300gsm paper, 59.4 x 69.9 cm + 5 cm border

Dellasposa Launches Limited Edition Prints

21/02/2021

The value of limited-edition printed artworks is rising exponentially, and Dellasposa has ignited a growing demand for their acquisition. ...

Sol LeWitt Variations on a theme podcast

Interviews on the Influence of Sol LeWitt

10/02/2021

Dessane Lopez Cassell hosts a podcast discussing the Influence of American Minimalist Sol LeWitt....

Soft Power in the Political Art of Annya Sand

20/10/2020

An interview with London based painter Annya Sand on painting and politics. ...

Wardruna – Norwegian Contemporary Folk Art

18/10/2020

“Kvitravn” is a song that explores traditions of animal-guides and the symbolism and legends of sacred white animals...

Burning Bright, Roswell Firework Art

17/10/2020

Carrying the torch for firework art we interview Roswell artist Jeremy Howe....

Radio Mulot’s Illicit Waveform Society

10/10/2020

Radio Mulot charity release by The Pop Group’s Mark Stewart (& Friends). Trebuchet Video Premiere of Un Nebun ...

Glitching Antinous_Chronometric Sculpture_Marjan Moghaddam_2018

The Digital Journey of Marjan Moghaddam

28/09/2020

Marjan Moghaddam is a digital pioneer whose work has stayed true to the revolutionary premise art should never be wholly expected....

Dominic Harris: Life as Art as Interaction

21/09/2020

Digital artist Dominic Harris creates beautiful work that captures the viewer’s attention with precise detail and vibrant colour, but it is only as we move closer that they come to life. ...

Feel Flows: Richard Stone & Lorena García Mateu

17/09/2020

A review of joint contemporary art exhibition, A Splendour Amongst Shadows, at Kristin Hjellegjerde Gallery, London Bridge. ...

Zakk Sabbath’s Super Tribute to Black Sabbath

15/09/2020

Black Sabbath sounds like stale smoke, beer mould on a frayed carpet, hot vacuum tubes, factory oil and ball sweat. Why would Zakk Sabbath revisit this?...

No Transformation – Tony Oursler & Hennessey Video Exclusive

11/09/2020

The raw quality of the video matches the stripped emotional tone of Leah's voice which in turn laser-points the lyrics directly at the desperate ennui of 2020. ...

Author: Trebuchet Magazine

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