Reflecting on the expressionism of Van Gough and thinking about what it offers to the contemporary painter Natalie Andrews takes a critical view of the mad-messiah stereotype and reminds us whats really at stake. (read more)
The work draws upon the unique experiences of the 60 day voyage, including both extraordinary landfalls and the time spent sailing one of the most remote parts of the ocean. (read more)
Anticipating John Hoyland at Tate, Natalie Andrews is thinking about the contemporary relevance of slow art. (read more)
Can Hal Foster laugh authenticity out of existence? Revisiting ‘The Expressive Fallacy’, a rights of passage for artists. (read more)
‘The Expressive Fallacy’ is an article from 1983 which still reverberates through the art world. (read more)
Although the works in Concrete Shadows visually reference the classic British holiday snapshot, the initial wistfulness is disrupted by the precarious nature of the situations and settings. (read more)
It’s Her Factory introduces a new body of Beard’s large-scale, vibrant works that examine contemporary portrayals of sexuality, and reclaim ownership over the body from the male gaze. (read more)
Martha Parsey: Symbolic feminism and the revolt (read more)
Matthew Barnes, Hannah Hughes, and Abigail Hunt @ sid motion gallery (read more)
Sarah Sze at Victoria Miro (read more)
Damien Meade: making the artificial appear sentient (read more)
Andrew Litten: timeless models of expression (read more)
Adam Dix: The subtle elevation of iconography and reality (read more)
The emerging artist Connor Robertson has a sophisticated painterly technique and a strong sense of drama. (read more)
Review of ‘Pablo Picasso: Between Cubism and Classicism 1915-1925’ Ed. Berggruen and von Liechtenstein. (read more)
It is the time of the season. The young ones are putting their artwork on show at the outset of what they hope will be a long and successful vocation as artists. (read more)
The hero of radical Italian art in who painting is reinvigorated as the premier medium encompassing all others. (read more)
Arne Jacobsen’s St Catherine’s College Oxford, Refectory hould we prefer soft voluptuous curves or hard aggressive angles? It all depends It is alarming, to those of us who have spent time considering aesthetics and the (read more)
Installation shot, Construct and (Various) Disasters of Democracy Galerie Dukan, Leipzig, Germany uncan Wylie is a prodigious painter who, having tasted success in Paris, has removed to London. He has a large ACME studio in Deptford, (read more)
Explore human hopes and technological power while worrying away at the fragility of life on Earth, welcome to the worlds of Geoff Diego Litherland. (read more)
Treading the line between the desire to create recognisable forms with a more strictly modernist painting approach, Phillip Allen has a wonderfully impure painterly style. (read more)
Simon Bill is a polymath and deserves a long hard look from a curious audience his work probes perception itself. (read more)
Painting, sculpture, photography, multimedia and dialogue in the heart of Islington, London (read more)
Deeply personal portraiture with strong socio-political purpose (read more)
When the idea is to introduce new voices in contemporary art, it helps not to have the judging panel overshadow the artists (read more)
Colour and comment: A look back at Frieze 2017 (read more)
Subverting, and sometimes satisfying expectations, Frieze returns to London (read more)
Narcissicism or Self-Portraiture: A Problem Solved? (read more)
Capturing the essence of ‘an English dreaming’ at Kristen Hjellegjerde Gallery (read more)
Experiential visions that are both magical and foreboding, familiar and strange (read more)
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