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Tag: djent

Uncommon Errors, Quiet Faces in the Screaming Crowd

20/08/2018

Trebuchet talks to SiKth's Mikey (Mikee) Goodman on creating visions in sound....

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Trebuchet 17 Destinations — Trebuchet 17: Destinations

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Uzo Egonu, Stateless People an artist with beret, 1981

Whither Nigerian Modernism?

Jean-Christophe Malaval, Atlantis, 2021. Ceramic vase, numbered 1/20, H 8.2 x D 9.4 in / Jean-Christophe Malaval, Atlantis, 2021. Patined bronze vase, numbered 2/8, H 8.2 x D 9.4 in

Why the Rule of Three?

Anna Franceschini All Those Stuffed Shirts, 2023 n. 7 dressmen gestiti da software dedicati dimensioni variabili Photo Andrea Rossetti

Can Art and Music Work Together?

Photo of Amsterdam by Trebuchet

Lost and Found in Amsterdam

Steve McQueen Year 3 at Tate Britain © Steve McQueen. Courtesy the artist, Thomas Dane Gallery and Marian Goodman Gallery. Photo © Tate_main

Money, Fame and the Future: Tate Modern’s 25th

Art Prints

James Johnston, A Reckoning (2020)

Art Print: James Johnston, A Reckoning

James Johnston, The Passenger, 2024

Night rides through James Johnston’s Trebuchet print ‘The Passenger’

Wanna buy art? Exclusive signed LUAP print only from Trebuchet

Peter Van Dyck, Winter Studio w/ Belmont Hills, 2018

Art Print: Peter Van Dyck

Matt Berninger - Serpentine Prison - Limited Edition Print

Trebuchet x Matt Berninger (The National) Ltd. Edition Print

Exclusive prints:
Mark Batty
Michael Carson
James Johnston
LUAP
Russell MacEwan
Chantal Meza
Gail Olding
Peter Van Dyck

Events

Jimo Akolo Fulani, Horsemen, 1962

Nigerian Modernism – Various

Trilogies of Artistic Exploration – Various

Laure Prouvost – We Felt A Star Dying

Jonny Briggs – Fitting In

Martin A Smith – Where The Roses Grow

Weekend art links: Create, Curate, Collect

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Latest Articles

Whither Nigerian Modernism?
Why the Rule of Three?
Can Art and Music Work Together?
Lost and Found in Amsterdam
Money, Fame and the Future: Tate Modern’s 25th
What Does Rankin Think About AI?
Dancing Queen: Barbarella Brings Italo-Disco Glamour to Canary Wharf
Do Artists Dream of Electric Stars?
So Lonely? The Crowded Anomie of Edward Burra
Frieze: Can it Still Deliver in 2025?

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