Père Lachaise, May 2018, Pegs in the graveyard – the broken black teeth of a man long dead. rchitecture, we might think, gains its aesthetic dimension from our sense of what it is to inhabit a...
James Johnston, A Reckoning (2020)
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For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication. – Friedrich Nietzsche