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Xiaoping Yu: Art, Identity and Belonging

17/12/2025

Exploring Culture Shock Through Multi-Media Installation and Video...

Oswaldo Maciá, Observation Xerces Blue Butterfly – Gone!, 2025

Oswaldo Maciá’s Multisensory Migratory Movements Exhibition

05/12/2025

Exploring magical realism through sound, smell, and visual art at Elizabeth Xi Bauer gallery...

Laís Amaral, Le maître des arcanes (2025) and Solange Pessoa, Nihil Novi Sub Sole (2019–2021) in ERASURE at Goodwood Art Foundation. Photo by Toby Adamson.

Confronting Colonial Erasure at Goodwood Art Foundation 2025

27/11/2025

Laís Amaral, Dana Awartani and Solange Pessoa: At the Goodwood Art Foundation, three artists confront the colonial composition of the present....

Roman Ondák, Event Horizon, 2016 100 oak tree discs, stamped ink, acrylic paint, steel fixtures Detail of installation Collection Kunsten Museum of Modern Art, Aalborg Photo © Andy Keate and South London Gallery, London

Roman Ondak Returns to Prague

26/11/2025

Conceptual artist Roman Ondak explores memory, time and identity at Kunsthalle Praha...

Almaty Museum of Arts (ALMA) exterior, photo: Alexey Narodizkiy

Kazakhstan: Close Encounters With Central Asian Culture, Contemporary Art And Post-Soviet Capitalism

04/11/2025

Inside Almaty's New Museums: The Patrons, Global Art, and the Revival of Central Asian Identity...

Secret plan of London, produced for the General Strike of 1926, that details vulnerable military installations, police posts and fire stations. Produced by the Ordnance Survey for the War Office, later transferred to the British Library from the Ministry of Defence. Secret plan of London, 1926 (detail) © British Library Board

Secret Maps at the British Library: How Cartography Shaped Power, Protest and Survival

01/11/2025

From colonial plotting to refugee escape routes, the British Library's latest exhibition reveals the hidden stories behind maps...

Mille Chen, I Tried But There's No Door II, 2025

Meet Millie Chen: London’s Emerging Artist Working with Found Objects

30/10/2025

Kings College graduate combines interactive installations and mixed media to explore female identity, dislocation, and contemporary anxieties...

Assemble, Fibredog, 2025, presented by Plinth. Frieze Sculpture 2025. Photo by Linda Nylind. Courtesy of Frieze.

Frieze London 2025 Review: Community, Identity and Encounters Across Time

20/10/2025

From Lauren Halsey at Gagosian to rediscovered Kenji Yoshida works, highlights from the 23rd edition of Frieze London and Frieze Masters...

Marian Kreyn, Installation Shot, Fitzrovia Gallery. Photo: Philip Vile

Maria Kreyn’s Hyperobject: When Contemporary Painting Meets Sacred Architecture

18/10/2025

A solo exhibition at Fitzrovia Chapel during Frieze London 2025 revives the Romantic sublime through monumental canvases that transcend doctrine and celebrate cosmic wonder...

Paul Sietsema, Object painting, 2025. Enamel on linen. Photo: Lee Thompson

Paul Sietsema at Marian Goodman Gallery Paris: Material Memory and the Weight of Objects

13/10/2025

The LA artist's new exhibition explores the physical residue of cultural value through obsolete telephones, coins, and paint-soaked media...

Between Myth and Modernity: The Art Practice of Jingjing Xu

10/10/2025

A critical look at an emerging artist's synthesis of cinematic language, symbolic narrative, and questions of authenticity...

Binta Diaw: Exploring Femininity and History Through Soil Art

08/10/2025

A preview of La Sagesse Des Lianes by Binta Diaw, Parco Arte Vivente, Torino 2025...

Michalis Karaiskos, Untitled (Partner), detail, 2025

Hypha Curates Launches Artist Sales Platform with Physical Exhibition Programme

02/10/2025

Initiative combines online marketplace with gallery spaces across the UK, offering artists 70% of sales while supporting free studio provision...

Gilbert & George HA-HA, 2022 Mixed media 74.8 x 88.98 x 1.5 inches 190 x 226 x 3.81 cm © Gilbert & George. Courtesy the artists and Lehmann Maupin, New York, Seoul, and London.

Gilbert & George: Reflections on Modernity 2025

24/09/2025

A stunning survey of five decades of Gilbert & George...

Folkestone Triennial 2025: Where Art Meets Community

07/09/2025

How artists transform a seaside town into a living gallery of environmental urgency, historical memory, and collective imagination...

When Strangers Become Friends: Art’s Answer to Migration Debates

04/09/2025

Major new summit launches at RSA London to amplify migrant voices through creativity...

Gallery of Everything, Ectoplasmix and Everyone

02/09/2025

A preview of Ectoplasmix at the Gallery of Everything, 2025....

30% Summer Sale on Trebuchet Back Issues

28/08/2025

30% Off Summer Sales Trebuchet Discount ...

Sara Enrico, The Jumpsuit Theme, 2019 Installation view of Focus Sara Enrico.The Jumpsuit Theme, Mart - Museo di arte moderna e contemporanea di Trento e Rovereto, 2019 Courtesy of the artist and Mart, Rovereto Photo © Archivio fotografico e Mediateca Mart, Alessandro Nassiri

Sara Enrico: Materiality and Contemporary Sculpture

24/08/2025

How 'fabric' sculptures redefine physical art in the digital age. A preview of Sara Enrico’s Under The Sun, Beyond The Skin...

David Lynch in Prague, 1996, photo Karel Cudlín © 400 ASA

David Lynch: Conjurer of Dreams

09/08/2025

A review of the artistic work of American artist and icon of world cinema David Lynch's exhibition 'Up in Flames'...

Silvan Omerzu, Table for a Poet, 2025. Photo: Jaka Babnik. MGLC Archive.

Rewriting the Constitution: Chus Martínez on Art, Community, and Democratic Imagination

07/08/2025

Chus Martinez on Art as Intelligence, Curatorial Activism, and the Oracle of Democratic Possibility...

Vesna & Eugen Petrešin, Autonomous Energy Machine, 36th Ljubljana Biennale of Graphic Arts, 2025. Photo: Jaka Babnik. MGLC Archive.

Vesna Petresin, 1971-2025

04/08/2025

Transdisciplinary artist who explored the fluid boundaries between consciousness, technology, and the future...

Tell my mother not to worry (ii), Ryan Gander, 2012. Courtesy Privatsammlung UK. Photo: Ken Adlard

Can Messages From the Future Be Hauntological?

18/07/2025

Broad, historic perspectives on how artists have been compelled to capture the uncanny and unseen...

Jean-Christophe Malaval, Atlantis, 2021. Ceramic vase, numbered 1/20, H 8.2 x D 9.4 in / Jean-Christophe Malaval, Atlantis, 2021. Patined bronze vase, numbered 2/8, H 8.2 x D 9.4 in

Why the Rule of Three?

08/07/2025

Galerie Negropontes invites artists to explore the power of three...

Anna Franceschini All Those Stuffed Shirts, 2023 n. 7 dressmen gestiti da software dedicati dimensioni variabili Photo Andrea Rossetti

Can Art and Music Work Together?

07/07/2025

Mario Merz Foundation Celebrates Art and Music...

Lost and Found in Amsterdam

27/06/2025

Why getting lost in Amsterdam Art Week might be the only way to find what matters...

OGR, Photo by Luigi De Palma for OGR Torino

Do Artists Dream of Electric Stars?

14/06/2025

Art building on the shoulders of giants, Laure Prouvost at OGR Turin...

Visitors,collectors walk past Ai Weiwei installation at Frieze Masters 2023 International Arts Fair in Regent's Park, London,UK

Frieze: Can it Still Deliver in 2025?

12/06/2025

The mammoth art fair is set to return but can it cut it in a troubled art economy? ...

Jonny Briggs, Shoes to print stripes, 2025

Is It Possible to Reject Conformity?

11/06/2025

Different perspectives on common shapes. A preview of Fitting In (2025), a show by Jonny Briggs ...

Chris Levine, iY Project, Dark Mofo, Tasmania, 2017. Photo by Dark Mofo/Lusy Productions

The Artist as Modern Mystic: Chris Levine on Lasers, Pyramids, and Cosmic Alignment

03/06/2025

Chris Levine reveals how ancient sites guide his laser-light installations...

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