Whitechapel Gallery is bringing film, video and animation from around the world to audiences at home as part of its Artists’ Film International (AFI) programme. Every Tuesday, a film selected by one of 20 global partners will launch on the gallery’s website.
Since 2007, AFI, a consortium of organisations from cities around the world, has been screened in Whitechapel Gallery’s auditorium and at partner venues. While galleries are closed, many of these films are now available online for the first time for a limited period.
Language is the common theme for AFI’s 2020 programme, and every film uses language to intensify place. Local sounds, rituals and political realities prominently feature, from the rhythms and images of a Bahamian Junkanoo, to an exploration of ancestral lands on the desert border between Mexico and the US.
This week’s film screening is selected by the Museum of Modern Art, Warsaw, Poland. Created by Dominika Olszowy, Wanda Wanton (2016) features a mysterious lead figure called Wanda. By day, Wanda works as a language teacher, and by night may be possessed by the spirits of ancient Germanic tribes known as Vandals. Interviewed in a mockumentary format, the possible alter ego of the artist illustrates her life philosophy that creation can come out of destruction.
Forthcoming online screenings selected by a different global partner each week are:
- GAMeC, Italy, selects Francesco Pedraglio’s Scripting Anticlockwise (2017), inspired by a live theatrical performance
- Bonniers Konsthall, Sweden selects Lisa Tan’s My Pictures of You (2017–19) in which photographs taken on Mars are interwoven with filmed sequences from Earth
- MMAG Foundation, Jordan, selects Mohamed A. Gawad’s Betalpha (2018) which plays with words and their meaning, juxtaposing them with extracts from films by Stan Brakhage and Buster Keaton
- Project 88, India selects Raqs Media Collective’s Passwords for Time Travel (2017) which combines the enigma of a spell with the precision of a dictionary entry
- Para Site, Hong Kong selects Yao Qingmei’s Sanzu Ding and Its Patterns: 1. A Major Archaeological Discovery (2013–present) featuring ‘Professor Yao’, played by the artist, and the mysterious symbolism of an ancient pottery vessel.
Iwona Blazwick, director, Whitechapel Gallery, said: “In this unprecedented moment when our galleries and borders are closed, we wanted to share a season of films from artists working across the world. Together with our partners our selection touches on ever more important issues, from our impact on the environment to architectures of power.”
The full AFI programme can be viewed here with a new film to be added every Tuesday.
The aim of art is to represent not the outward appearance of things, but their inward significance. – Aristotle