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Tag: sleepy labeef

Cinema_Seat_Xmas2018

Deepcut Country: Sleepy LaBeef

24/12/2018

Best named rockabilly musician ever; Sleepy LaBeef...

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Trebuchet 17 Destinations — Trebuchet 17: Destinations

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Tell my mother not to worry (ii), Ryan Gander, 2012. Courtesy Privatsammlung UK. Photo: Ken Adlard

Can Messages From the Future Be Hauntological?

YDP's space on Bedford Square, 2025. Photo by Jooney Woodward. Courtesy of YDP

This Georgian Townhouse Became London’s New Asian Art Destination

Pablo Picasso, Le joueur de cartes II (The Card Player II), 1971

The Last Years of Pablo Picasso

Delcy Morelos, Madre, 2025

Madre: Delcy Morelos’ Immersive Installation in Dialogue with Joseph Beuys

Uzo Egonu, Stateless People an artist with beret, 1981

Whither Nigerian Modernism?

Art Prints

James Johnston, A Reckoning (2020)

Art Print: James Johnston, A Reckoning

James Johnston, The Passenger, 2024

Night rides through James Johnston’s Trebuchet print ‘The Passenger’

Wanna buy art? Exclusive signed LUAP print only from Trebuchet

Peter Van Dyck, Winter Studio w/ Belmont Hills, 2018

Art Print: Peter Van Dyck

Matt Berninger - Serpentine Prison - Limited Edition Print

Trebuchet x Matt Berninger (The National) Ltd. Edition Print

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Michael Carson
James Johnston
LUAP
Russell MacEwan
Chantal Meza
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Events

L'Esprit comique [Der komische Geist], René Magritte, 1928. Courtesy Sammlung Ulla und Heiner Pietzsch, Berlin © 2025, ProLitteris, Zurich Photo Credit: Jochen Littkemann, Berlin

Ghosts: Visualizing the Supernatural

Delcy Morelos – Madre

Nigerian Modernism – Various

Trilogies of Artistic Exploration – Various

Laure Prouvost – We Felt A Star Dying

Weekend art links: Create, Curate, Collect

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Latest Articles

Can Messages From the Future Be Hauntological?
This Georgian Townhouse Became London’s New Asian Art Destination
The Last Years of Pablo Picasso
Madre: Delcy Morelos’ Immersive Installation in Dialogue with Joseph Beuys
Whither Nigerian Modernism?
Why the Rule of Three?
Can Art and Music Work Together?
Lost and Found in Amsterdam
Money, Fame and the Future: Tate Modern’s 25th
What Does Rankin Think About AI?

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