The aim of art is to represent not the outward appearance of things, but their inward significance. – Aristotle
The photo is presented upside down and the eyes and mouth are flipped vertically – Alva Bernadine (read more)
The line between artist and forger an interview with Shaun Greenhalgh (read more)
Hippolyte Hentgen at Semiose, Paris (read more)
Marking violence with disobedient acts of beauty. The Pansy Project. (read more)
This year’s London Art Fair focused on the various correspondences between the work of contemporary artists from Latin America and Europe. (read more)
The profile of the street artist has changed dramatically over the last 15 years (read more)
Piazza Rotunda at Dawn Making Art as Chronicle ona Grimes is a restless city artist. She makes pictures; and in making them she strives to manipulate her medium in new ways. Hence there is always (read more)
The art of stealing art Noah Charney (read more)
Prof Martin Lang discusses violence as a form of performance art (read more)
HeartBreak Guide: Satirical Saturday Cartoon on Art by Alex Brenchley 2018 (read more)
Neo figurative art, global audience (read more)
Even those who have renounced the Ayatollah’s regime and live largely secular, Western lives carry within them a time-consciousness split between ancient Persia and contemporary Iran (read more)
The art of Iran is intrinsically bound with religion and the calligraphic interpretation of their sacred texts. Golnaz Fathi (read more)
As street art becomes part of how property developers market up-and-coming areas its role as a gentrifying marker is becoming clearer. Enrico Bonadio. Street Art Lawyer. (read more)
Burmese artist Chuu Wai Nyein is making waves with provocative images that have proved controversial in her home country, known for its socially conservative views towards women. (read more)
This essay argues that Rauschenberg, as an American artist, repositions collage as a flat formal arrangement. However, the formal arrangement, whilst remaining flat, accommodates depictive content as a secondary source of content. (read more)
Subverting brands and advertising had been around long before Brandalism as a project-based movement encouraged an international outpouring of dissent since 2012. (read more)
Banksy: Satirical Saturday Cartoon on Art by Alex Brenchley 2018 (read more)
Territories: Satirical Saturday Cartoon on Art by Alex Brenchley 2018 (read more)
Degas: Passion For Perfection uses the film medium to good effect, allowing the viewer to see the artist’s process in action. (read more)
‘Darren Coffield’s ‘Orgreave’ ite Unseen’ is a group show inaugurating the new exhibition premises of Dellasposa in Lancaster Gate. A New Space for Contemporary Art It presently showcases the work of eight emerging contemporary (read more)
Stelarc: Engineering the interface (read more)
Sarah Sitkin: Bodies in decline, bodies at rest (read more)
Don’t hate the player: Satirical Saturday Cartoon on Art by Alex Brenchley 2018 (read more)
Ron Athey: Personal explorations and public displays (read more)
The one sided see-saw of artistic support. Satire and Art. Alex Brenchley. 2018 (read more)
Frieze continues to be a key destination for collecting institutions around the world, enabling the entry of works by today’s most forward-thinking artists. (read more)
Nestor Pestana: Speculative design and the new human (read more)
Critical Faculties: Satirical Saturday Cartoon on Art by Alex Brenchley 2018 (read more)
Mary Kelly, Face-to-Face, solo exhibition, installation view, Pippy Houldsworth Gallery, London (2018) ary Kelly’s Face-to-Face exhibition engages its audience with work that is at once intellectual and experiential. One enters the Pippy Holdsworth Gallery on Heddon (read more)
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