Cyril de Commarque is an artist concerned with human development, hubris and potential, sharing his thoughts here with Trebuchet in lieu of his show 'Artificialis' at Saatchi Gallery....
Artificialis at the Saatchi Gallery takes as its starting point the Anthropocene era - the period when man first had an impact on Earth’s geology and ecosystems - then looks towards the future,...
Mark Leckey is an influential multimedia artist, his show at the Tate Britain 'O' Magic Power of Bleakness' explores memory, identity and the uncanny aspects of British landscape....
The most affecting film of 2019 has created debate and controversy, Trebuchet takes a closer look examining these and the underlying message at its core. ...
1-54 has established itself as a leading voice in the discussion on contemporary African art, bringing together a diverse set of perspectives from around the world....
The pursuit of truth should not lead us to totalitarian certainty and William Kentridge proposes that art practice is the key to holding illusion and insight in balance. ...
This essay looks at the work of James Rosenquist in terms of the pop art movement. Broadening its scope, we look at this artist's work against that of Ed Kienholz and Joseph Cornell....
Reflecting on the expressionism of Van Gough and thinking about what it offers to the contemporary painter Natalie Andrews takes a critical view of the mad-messiah stereotype and reminds us whats...
Originally interviewed for Trebuchet’s Art and Crime issue, dealers Thomas Crown Art have created a fascinating technological solution for the ever increasing issue of forgery in the art market....
