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Classroom Internet Use Leads to Lower Grades

18/12/2016

Internet use in class tied to lower test scores ...

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Trebuchet 17 Destinations — Trebuchet 17: Destinations

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OGR, Photo by Luigi De Palma for OGR Torino

Do Artists Dream of Electric Stars?

Edward Burra, Tate retrospective 2025

So Lonely? The Crowded Anomie of Edward Burra

Visitors,collectors walk past Ai Weiwei installation at Frieze Masters 2023 International Arts Fair in Regent's Park, London,UK

Frieze: Can it Still Deliver in 2025?

Jonny Briggs, Shoes to print stripes, 2025

Is It Possible to Reject Conformity?

Detail from a drawing of trees. Michael Eden, Warring Entities, 2025

Drawing the Unseen: Landscape as Ideological Frame and Perceptual Rupture

Art Prints

James Johnston, A Reckoning (2020)

Art Print: James Johnston, A Reckoning

James Johnston, The Passenger, 2024

Night rides through James Johnston’s Trebuchet print ‘The Passenger’

Wanna buy art? Exclusive signed LUAP print only from Trebuchet

Peter Van Dyck, Winter Studio w/ Belmont Hills, 2018

Art Print: Peter Van Dyck

Matt Berninger - Serpentine Prison - Limited Edition Print

Trebuchet x Matt Berninger (The National) Ltd. Edition Print

Exclusive prints:
Mark Batty
Michael Carson
James Johnston
LUAP
Russell MacEwan
Chantal Meza
Gail Olding
Peter Van Dyck

Events

OGR, Photo by Luigi De Palma for OGR Torino

Laure Prouvost – We Felt A Star Dying

Jonny Briggs – Fitting In

Martin A Smith – Where The Roses Grow

Resonant: Bodies, Songs, and Strings

Permindar Kaur & Prem Sahib – Mirrors and Doubles

Weekend art links: Create, Curate, Collect

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Latest Articles

Do Artists Dream of Electric Stars?
So Lonely? The Crowded Anomie of Edward Burra
Frieze: Can it Still Deliver in 2025?
Is It Possible to Reject Conformity?
Drawing the Unseen: Landscape as Ideological Frame and Perceptual Rupture
What’s He Building in There?
The Artist as Modern Mystic: Chris Levine on Lasers, Pyramids, and Cosmic Alignment
Light in the Darkness: Chantal Meza and Will Gompertz
Can Ancient Sufi Wisdom and Contemporary Art Share the Same Frequency?
Magical Forests Versus the Pull of Netflix: Rune Christensen

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