Migrant Shipwreck to Be Shown at Venice Biennale

The damaged boat will stand as a powerful testament to the hundreds of migrants who have died crossing the Mediterranean Sea

© Christoph Büchel

The remains of one of the deadliest migrant shipwrecks in recent Mediterranean history will be docked in Venice for the city’s biennale as part of a project by Swiss-Icelandic artist Christoph Büchel.

In April 2015, the ship — designed to carry a crew of 15 people — crashed into a Portuguese freighter and sank between the Libyan and Italian coasts in international waters. On board were between 700 and 1,100 people, of whom only 28 were recovered, according to Büchel.

Since the tragic accident, €33m has been spent on the ship’s recovery and maintenance, fuelling its politically charged symbolism. Now, the boat will be moored at the Arsenale in Venice, a former shipyard where military boats were built. The project, called Barca Nostra (“our boat”) is part of curator Ralph Rugoff’s exhibition, May You Live in Interesting Times.

Büchel is known for making powerful political statements through his work. In 2015, as the Icelandic representative for the Venice Biennale, he installed a working mosque inside a former Catholic church, which Venetian authorities shut down soon after it opened, citing safety concerns. Last year, Büchel proposed turning Trump’s border wall proposals into land art.

The vessel in Venice will stand as a testament not only to history, but also to current events. Since the beginning of 2019, an estimated 410 migrants have died at sea. The ship’s future after the biennale, however, is uncertain. But one proposal, made by a migrant initiative in Palermo, seeks to make it a mobile monument of the tragedy that could be presented throughout the European Union.

Christoph Büchel’s Barca Nostra will be on view from 11 May – 24 November 

Source: artnet

Naila Scargill
About Naila Scargill 218 Articles
Naila Scargill is the publisher and editor of horror journal Exquisite Terror. Holding a broad editorial background, she has worked with an eclectic variety of content, ranging from film and the counterculture, to political news and finance.

Be the first to comment

Leave a Reply

Your email address will not be published.


*


This site uses Akismet to reduce spam. Learn how your comment data is processed.