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Alva Noto’s Opulent Soundscapes

A review of Alva Noto - This Stolen Country of Mine...

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Rendering the Invisible Playful: Jo McGarry

A review of Jo McGarry, ‘In|Visible|’ (2023) at Seager Gallery...

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Urban Lineages in José Parlá

A preview of José Parlá - Phosphene at Ben Brown Arts ...

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Remote Freedom: Vuslat Sabanci’s Emanet

A preview of Emanet by Vuslat Sabanci...

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A Snap: Photo London 2023

Photo London has returned to Somerset House for its 8th edition, presenting 125 exhibitors from 56 cities from across the globe. Led by the Master of Photography exhibition ‘Martin Parr –...

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Septuplet: How Art Can Nurture Radical Urban Immersion

Embedded within our individual experience of life is the notion of consumption and presence, by which the parameters of human experience can be constructed (as much as it could be disrupted)....

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Inside: Intercorporeality of Art and Architecture

We-world arising from the legacy of wealth. A review of Inside, an installation......

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Carrying life: Motherhood and Water in Malawi

A review of Laura El-Tantawy's photographic exhibition...

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Tai Shani on Power, Story and Reality Pt. 2

Practice, story and reality; an in depth discussion with Turner Prize winning artist Tai Shani. Part Two,...

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Tai Shani on Power, Story and Reality

Practice, story and reality; an in depth discussion with Turner Prize winning artist Tai Shani...

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The Audience and the Work: Joël Andrianomearisoa

An interview with Malagasy installation artist Joël Andrianomearisoa ...

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Frieze 2022

Paint rules the day at Frieze 2022. ...

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James Turrell and Lalique Collaboration in Crystal Light

Light Artist James Turrell and Lalique Collaborate on Beauty ...

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Tavares Strachan In Total Darkness

In Total Darkness, the first solo exhibition of Tavares Strachan at the Marian Goodman Paris gallery...

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Walking into Modernity

Specially commissioned works and historical pieces come together at Saudi Arabia's Ithra Museum. ...

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Alternative Possibilities: Céline Condorelli

Celine Condorelli discusses her practice and her first survey exhibition at Talbot Rice Gallery....

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The Vision of Enter Art 2022 by Kirsten Eggers

An interview with the Head of Art Advisory at Enter Art Fair Kirsten Eggers...

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Tranquil Voyage

A conversation between space, display and the mind of Celine Condorelli...

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Forever Changed: Various Giant Artists

FOREVER: CHANGED comments directly on how mass media, culture and production had previously been held at a critical distance....

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From Here to Where? Michael Kagan

It Lasts Forever is the first London show at Almine Rech by Michael Kagan, a Brooklyn-based artist known for producing oil paintings with large, expressive brush strokes. ...

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Iron & Light: Bob Dylan

Bob Dylan speaks to both the natural and industrial worlds with his new sculpture at Château La Coste....

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Talbot Rice Gallery announces After Work with Céline Condorelli

On view in Edinburgh through June – October, and exhibition at Talbot Rice Gallery....

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The Optics and Shine of Chris Levine Pt 2

An interview with famed photographer and light artist Chris Levine. ...

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The Optics and Shine of Chris Levine

An interview with famed photographer and light artist Chris Levine. ...

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A Conversation Between Body & Object: Lee Ufan

The Korean artist prepares himself mentally and physically to begin each work and adopts specific bodily postures during the making process ...

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Nothing About Us, Without Us: Active Bodies at the ICA

A review of Decriminalised Futures at the Institute of Contemporary Art (ICA), an exhibition showing sex work as artwork....

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What is Sculpture? Nairy Baghramian

Exclusive interview with 2022 Nasher Prize Laureate Berlin based sculptor Nairy Baghramian...

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Inside Our Nostalgia: Eleanor May Watson

A review of Eleanor May Watson’s exhibition Curtains Drawn at Wilder Gallery...

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Trebuchet 11: Cover Artist Chris Levine

Trebuchet reveals the first of two cover artists for 11: Process - Chris Levine...

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Trebuchet 11: Cover Artist Nairy Baghramian

Trebuchet reveals the first of two cover artists for 11: Process - Nairy Baghramian...

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