I am here in defence of music. Of music music—not social music sites, not music apps, not the ability to stream, or the ability to store songs in the cloud. I am here to extol the delicious, indescribable good that music can be to our ears, our psyches, our souls. (read more)
None of the values promoted by a social-media-dominated world are helpful with depth-oriented, long-term thinking (read more)
‘97,751 albums released in a year’, Jeremy Schlosberg examines the implications of music market gluttony. I was talking to a music industry acquaintance on the phone not long ago and he was matter-of-factly moving on, (read more)
A little while back, the results of a survey commissioned by the subscription online music store eMusic were released, and they were notable. The survey targeted people who buy music online. Among the findings: 89 (read more)
Putting an End to a Persistent Illusion Steadily, over the course of the last 10 years, the idea that recorded music "has" to be free has been transformed from a radical stance taken by those (read more)
We hear it over and over again (even though it is not yet precisely true): people don’t want to pay for recorded music. And what is recorded music? Music that has been thoughtfully written and (read more)
In the relative blink of an eye, we have culturally swallowed a crazy idea: that the capacity to grab people’s attention is more important than what is being done to grab their attention. We have, (read more)
I was listening to an album on Spotify the other day when I heard an ad between tracks that was promoting Spotify itself, focused on how “social” the service is. Because after all, as the (read more)
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