7th Feb 2012 in Art
Picture this: An Oscar-winning super producer, a TV network super suit, their brand new Central London indie offices, and me in the hot seat (it’s still warm from the legendary actor who’s attached to their debut project) ready to pitch. I notice neither has my painstakingly worded pitching… Read on
Bethia Beadman, A chanteuse in a strip club, g-string jokes don't get more apt than this, nor voices as sweet.
Artist Nicola Anthony talks us through the highlights of the current exhibition at the Serpentine Gallery's Centre for possible studies
Trebuchet Magazine interviews Straylings in advance of the release of their debut album Entertainment on Foreign Grounds.
DR's experiences in a Nigerian university return to Trebuchet. This week he rediscovers the joy of sharing knowledge
Trebuchet Magazine's Naila Scargill reviews two Hammer classics: The Scarlet Blade and The Brigand of Kandahar, both starring Oliver Reed.
Why did the zeitgeist regurgitate Gingrich into our midst? Phil Rockstroh questions the two-party system and searches for alternatives.
Trebuchet Magazine takes a jaundiced but light-hearted look at the political events of the week Jimmy Wales closed down Wikipedia
In the anaesthetised remoteness of this museum piece (Fawlty World?) past and present mingle promiscuously and the parallels become inescapable
On Crystal Bright & The Silver Hands' Second album Muses and Bones the difference between wacky and weird is all in the knowing.
Bringing together a song dynamic, melodic narrative, soul-blistering energy and just so much STUFF, without it all blowing up is a triumph. Colours EP
Trebuchet Magazine's Naila Scargill reviews the Blu-Ray release of Paul Schrader's post-Vietnam distopia in smalltown USA. Rolling Thunder
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Lady Antebellum Announce UK Tour http://t.co/8unaCO0u
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