Much of the exhibition literature talks of the legacy of film and photography, but the internet and its spawned cacophony of imagery and new modes of looking is clearly also a player in this exhibition. (read more)
When Kiefer is at his best we don’t need the leaden symbolism of diamonds, not when the mud and filth of paint can carry the weight of time and gold (read more)
The Rembrandt in the paintings at the National Gallery… is a man who suffered: as a victim of unfortunate tragedies, and as a result of personal flaws. (read more)
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